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Inscription: (in each corner and in center): A [image of a knot] E [reversed] (unidentified)(on scabbard hanging from man on left): AVE : / REGINA . C[AELORVM] (Hail the Queen of the Heavens [reference to one of the Marian antiphons]) (on dog’s collar, left): OFANGRE (too fragmentary for interpretation) (on dog’s collar, center): A [image of a knot] E [reversed] (unidentified)
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Muscarella, Oscar White. 1974. Ancient Art: The Norbert Schimmel Collection no. 60, Mainz am Rhein: Verlag Philipp von Zabern.von Bothmer, Dietrich, Carlos A. Picón, Joan R. Mertens, and Elizabeth J
collection/search/255948 https://www.metmuseum.org/art/collection/search/255948 Link

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From the abbey of Moutiers-Saint-Jean, near Dijon; M. Ohresser, Moutier-Saint-Jean, France (until 1909) ; [ Demotte Inc., Paris (sold 1909) (?) ] ; Michel Manzi French, Paris (through M. Pagenel, Paris, until 1919) ; [ Demotte Inc
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Their design and decorative techniques link them to other pieces of fine metalwork

collection/search/544478 https://www.metmuseum.org/art/collection/search/544478 Link

Length of Fabric>One of the more popular layouts with Ottoman textile artists, and one that eventually found its way into other media such as ceramic tile decoration, the pattern on this fabric fragment features parallel undulating vines adorned with leaves and flowers
collection/search/451101 https://www.metmuseum.org/art/collection/search/451101 Link

This is an early work by Alessandro Bonvicino, known as Moretto da Brescia, who, along with Girolamo Romanino, was the dominant painter in the city of Brescia (then in the westernmost area of Venice’s mainland empire) in the first half of the sixteenth century
collection/search/437157 https://www.metmuseum.org/art/collection/search/437157 Link

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