Russian Painter – The Christ Child with Saints Boris and Gleb – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/437559
collection/search/437559 https://www.metmuseum.org/art/collection/search/437559 Link
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Made under the direction of Jacob Halder – Armor Garniture of George Clifford (1558–1605), Third Earl of Cumberland – British, Greenwich – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/23939
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Gerard ter Borch the Younger – Curiosity – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/435714
This painting, one of the key works of Ter Borch’s maturity, probably dates from about 1660–62. Though it was painted when the artist lived in Deventer, the luxurious interior and elegantly attired figures evoke the cosmopolitan milieu of Amsterdam
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Statuette of Taweret – New Kingdom – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/560727
Excavated by Lord Carnarvon and Howard Carter, 1912. Acquired by Lord Carnarvon in the division of finds. Carnarvon Collection, 1912-1926. Carnarvon Collection purchased by the Museum from Lady Carnarvon, 1926
collection/search/560727 https://www.metmuseum.org/art/collection/search/560727 Link
Michele Todini – Harpsichord – Italian (Roman) – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/502377
HARPSICHORD:Width of inner instrument: 8 ft. 9 7/8 in. (269 cm); Depth of inner instrument: 34 3/8 in. (87.2 cm); Height of inner instrument: 7 1/2 in. (9 cm); 3-octave span: 19 1/4 in
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Jean-Baptiste Greuze – Princess Varvara Nikolaevna Gagarina (1762–1802) – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/436586
Varvara Nikolaevna was born on July 7, 1762. The daughter of Prince Nikolai Mikhailovich Golitsyn (1727–1787) and Princess Ekaterina Aleksandrovna Golovina (1728–1769), she married Prince Sergei Sergeyevich Gagarin (1745–1798)
collection/search/436586 https://www.metmuseum.org/art/collection/search/436586 Link
Necklace – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/446767
Gold NecklaceThe striking way in which this piece, with its circular stone-set gold elements surrounded by small pearls, is stylistically reminiscent of the miniature of the zenana (harem) scene in the Met (30
collection/search/446767 https://www.metmuseum.org/art/collection/search/446767 Link
Attributed to Lorenzo Monaco (Piero di Giovanni) – The Intercession of Christ and the Virgin – Italian – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/470328
Inscription: [on black band against background] PADRE MIO SIENO SALVI CHOSTORO PEQUALI TU / VOLESTI CHIO PATISSI PASSIONE (My Father, let those be saved for whom you wished me to suffer the Passion); DOLCIXIMO FIGLIUOLO PELLAC: / TE CHIO TIDIE ABBI MIA DI CHOSTORO (Dearest Son, because of the milk that I gave you, have mercy on them)
collection/search/470328 https://www.metmuseum.org/art/collection/search/470328 Link
Attributed to the Hirschfeld Workshop – Terracotta krater – Greek, Attic – Late Geometric I – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/248904
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Antoine Watteau – Mezzetin – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/437926
Watteau, the son of a roofer, left Valenciennes for Paris about 1702 to work there as a copyist and assistant to Claude Gillot (1673–1722) and Claude III Audrun (1658–1734). He became interested in theater and fell under the spell of Peter Paul Rubens (1577–1640)
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