Edouard Manet – The Funeral – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/436952
collection/search/436952 https://www.metmuseum.org/art/collection/search/436952 Link
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Foot-Combat Helm of Sir Giles Capel (1485–1556) – possibly British – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/21997
Sir Giles Capel, Rayne Hall, Essex, England (until d. 1556; bequeathed to All Saints Chapel); All Saints Chapel, Rayne Hall, Essex, England (1556–1840; removed by Parmenter); William Parmenter, Bocking, Essex, England (1840–about 1866; sold for 10 s, to Courtauld); Edith Courtauld (later Arendrup), London, England (about 1866–80; gift to de Cosson); Baron Charles Alexander de Cosson, London (1880–93; sold on April 17, 1893, for Fr
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Jomo Tariku – Mido Chair – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/846920
collection/search/846920 https://www.metmuseum.org/art/collection/search/846920 Link
Charles Demuth – I Saw the Figure 5 in Gold – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/488315
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The Limbourg Brothers – The Belles Heures of Jean de France, duc de Berry – French – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/470306
Jean, Duke of Berry d. 1416 (1408/09–d. 1416; item no. 960 in 1413 inventory) ; Yolande, Queen of Sicily and Duchess of Anjou (1417–d.1443) ; Pierre-Gabriel Bourlier, baron d’Ailly (before 1879–sold by 1884) ; Baron Edmond James de Rothschild, Paris (by 1884–d
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Bodhisattva Avalokiteshvara (Guanyin) – China – Sui dynasty (581–618) – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/42703
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Workshop of Biduinus – Portal from the Church of San Leonardo al Frigido – Italian – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/471911
The reconstructed portal is composed of five medieval elements. Neither the bases nor the arch of rosettes were part of the medieval monument. The two jambs of gray Carrara marble were apparently recarved from sections of antique sarcophagi
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Tusk Fragment with the Ascension – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/453638
Two Tusk Fragments with the Ascension of Christ:17.190.46 and 17.190.48Conforming to the shape of the ivory tusks from which they were carved, these two fragmentary images of the Ascension are so similar that they must have been carved by the same workshop
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Francesco Francia – Madonna and Child with Saints Francis and Jerome – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/436335
In this painting, the Madonna and Child are flanked by Saint Francis to the left, shown in the gray habit of the Franciscan order and holding the cross within his stigmata-marked hand, and Saint Jerome to the right, attired in the red robes of a cardinal, signifying his service to Pope Damasus I (305–384 CE)
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Jean-Baptiste Greuze – Broken Eggs – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/436579
Greuze was of modest birth, the son of a roofer. He received his early training in Lyons and in Paris studied drawing with Charles Joseph Natoire. In 1755, after he was accepted as a candidate member of the Académie Royale de Peinture et de Sculpture in the category of genre painter, Greuze presented five works for exhibition at the Salon
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