collection/search/469925 https://www.metmuseum.org/art/collection/search/469925 Link
This altarpiece depicts Saint Roch (ca. 1348–1376/79), known as a plague saint for his miracles in curing the sick. He became a popular figure in art following the Black Death in the fourteenth century and the Italian plague outbreak of 1477–79
collection/search/436332 https://www.metmuseum.org/art/collection/search/436332 Link
Signed (lower left): PR; inscribed (verso, lower left) 17/35b.
collection/search/492817 https://www.metmuseum.org/art/collection/search/492817 Link
The Sons of Hephaistos: Aspects of the Archaic Greek bronze Industry. p. 154, Roma
collection/search/255060 https://www.metmuseum.org/art/collection/search/255060 Link
collection/search/435659 https://www.metmuseum.org/art/collection/search/435659 Link
Pater, born in Valenciennes, was apprenticed to a local painter in 1706. A contemporary would later report that his father sent him to Paris to study with Jean Antoine Watteau (1684–1721): probably the two painters left Valenciennes together in late 1709 or 1710
collection/search/437257 https://www.metmuseum.org/art/collection/search/437257 Link
collection/search/436139 https://www.metmuseum.org/art/collection/search/436139 Link
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1840s, excavated under the direction of Austen Henry Layard; 1849, presented by Layard to Lady Charlotte Guest for Canford Manor, Dorsetshire (Dorset), England; 1919, purchased by Dikran Kelekian from Ivor Churchill Guest; 1927, purchased by J
collection/search/322613 https://www.metmuseum.org/art/collection/search/322613 Link
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