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Jean, Duke of Berry d. 1416 (1408/09–d. 1416; item no. 960 in 1413 inventory) ; Yolande, Queen of Sicily and Duchess of Anjou (1417–d.1443) ; Pierre-Gabriel Bourlier, baron d’Ailly (before 1879–sold by 1884) ; Baron Edmond James de Rothschild, Paris (by 1884–d
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Brownlow Cecil, 9th Earl of Exeter, Burghley House, near Stamford, Northamptonshire (by 1847) ; William Alleyne Cecil, 3rd Marquis of Exeter 1825–1895, Burghley House, near Stamford Northamptonshire (until 1888) ; Marquis of Exeter sale, Christie, Manson & Woods, London (June 9, 1888, no
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collection/search/436074 https://www.metmuseum.org/art/collection/search/436074 Link

1962, excavated under the direction of Max Mallowan, on behalf of the British School of Archaeology in Iraq; ceded in the division of finds to the British School of Archaeology in Iraq; acquired by the Museum in 1962, as a result of its financial contribution to the excavations
collection/search/325564 https://www.metmuseum.org/art/collection/search/325564 Link

collection/search/464300 https://www.metmuseum.org/art/collection/search/464300 Link

Georg (II), Herzog von Saxe-Meiningen, Meiningen, Thuringia (by 1897–d. 1914); Bernhard (III), Herzog von Saxe-Meiningen, Meiningen (1914–d. 1928); Georg, Prinz von Saxe-Meiningen, Heldbourg, Thuringia (1928–29; sold to Douglas); [R
collection/search/437195 https://www.metmuseum.org/art/collection/search/437195 Link

The Artist: Simone Martini was one of the greatest and most influential painters of his time. His work combines an astonishing mastery of naturalistically observed details with an exquisite technique, beautifully exemplified in The Met’s painting of Saint Andrew by the description of the hands, the tilted book, and the dangling tassel and the refined tooling of the halo
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Muzzarelli chapel, church of the convent of Sant’Andrea Apostolo, Ferrara (until at least 1787); Prince Eugène de Beauharnais, Herzog von Leuchtenberg, Munich (until d. 1824; cat., 1825, no. 35); Herzogen von Leuchtenberg, Munich and St
collection/search/436444 https://www.metmuseum.org/art/collection/search/436444 Link

This sculpture is carved out of a single slab of ivory and represents the seated Mary holding the infant Jesus (mostly missing) in her lap. Mary’s face is moon-shaped, with a high, wide forehead, a pointed chin, and almond-shaped eyes
collection/search/469844 https://www.metmuseum.org/art/collection/search/469844 Link