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Fragmentary PlateThis shallow plate has a plain rim with a rounded edge. The wall curves down and in, with a depression ( diam. 4 cm [1 5/8 in.]) at the center of the floor. Most of the floor is missing; similar plates have either a plain base or three applied feet (see, for example, Smith 1957, no
collection/search/449824 https://www.metmuseum.org/art/collection/search/449824 Link

collection/search/444712 https://www.metmuseum.org/art/collection/search/444712 Link

This group of five ivory panels are the reassembled elements of a „composite casket,“ so called by scholars because the narrative scenes that adorn them are vignettes from a variety of popular stories and chivalric romances
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Inscription: Two stickers affixed to verso of mat; across top sticker: „Original Work From / SNOW WHITE / and / THE SEVEN DWARFS“; across bottom sticker: „This Material Inflammable / HANDLE WITH CARE / Frame Under Glass / Copyright 1937 / WALT DISNEY ENTERPRISES“
collection/search/371922 https://www.metmuseum.org/art/collection/search/371922 Link

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collection/search/544497 https://www.metmuseum.org/art/collection/search/544497 Link

Excavated by Lord Carnarvon and Howard Carter, 1911. Acquired by Carnarvon in the division of finds. Carnarvon Collection, 1911–1926. Carnarvon Collection purchased by the Museum from Lady Carnarvon, 1926
The statuettes of the child Amenemhab (26.7.1413a, b) and Huwebenef were found inside

Moroni’s portrait of the Bergamasque professor Bartolomeo Bonghi (died 1584) is one of his finest works from the 1550s. Bonghi is shown seated on a Savonarolan-style chair with a book in his left hand, gazing toward the viewer, and with a cityscape through the window beyond
collection/search/437164 https://www.metmuseum.org/art/collection/search/437164 Link

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Richter, Gisela M. A. 1933. „A Statue of the Diadoumenos.“ Bulletin of the Metropolitan Museum of Art, 28(12): pp. 214–16, figs. 1–3.Metropolitan Museum of Art. 1936[1934]. A Guide to the Collections, Part 1: Ancient and Oriental Art, 2nd edn
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