Inscription: Inscribed: (reverse, in a later hand) Ambrogio Borgognone fe.; (on Christ’s halo) IESVS CRISTV[S]; (on Virgin’s halo) [BE?]NIGNA; (on hem of Virgin’s cloak) NOMEN DOM[I]NI
collection/search/435656 https://www.metmuseum.org/art/collection/search/435656 Link
collection/search/488575 https://www.metmuseum.org/art/collection/search/488575 Link
Inscription: (around exterior of upper half): [image of a flower] ATTENDITE . VIDETE . SI . EST . DOLOR . SICVT . DOLOR . MEV[S] (attend [and] see if there exists pain to such an extent as my pain [Lamentations 1:12])(around exterior of lower half): [image of a flower] LEVEMVS
Here is a link to download the audio instead.
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[Ambroise Vollard, Paris, sold by winter 1924 to Reber]; Dr. Gottlieb Friedrich Reber, Lugano and Lausanne (1924–37; sold in November 1937 to Cooper); Douglas Cooper, London (1937–d. 1984; inv. no. 65; estate no. DC 35/34; his bequest to McCarty-Cooper); his partner and adopted son, William McCarty-Cooper, London (1984–86; sold in November 1986 to Lauder); Leonard A. Lauder, New York (1986–2013; transferred on April 8, 2013 to the Leonard A. Lauder Cubist Trust); The Leonard A. Lauder Cubist Trust, New York (2013–21; gift to MMA)
collection/search/490587 https://www.metmuseum.org/art/collection/search/490587 Link
This panel of about 1650–51 introduces the most admired qualities of Ter Borch’s mature style (as found, for example, in Curiosity of about 1660–62, The Met 49
collection/search/435718 https://www.metmuseum.org/art/collection/search/435718 Link
collection/search/249058 https://www.metmuseum.org/art/collection/search/249058 Link
collection/search/241098 https://www.metmuseum.org/art/collection/search/241098 Link
