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Here is a link to download the audio instead. Playlist 1703.

Inscription: (on each corner and center): A [image of a knot] E [reversed] (unidentified)(on dog collar; twice): AE(on dog collar bearing arms; twice): AMarking: Arms (on dog collar on right): Quarterly, 1 and 4, barry of six or and azure, the first two bars debruised by three roses gules, seeded proper; 2 and 3, or, three escutcheons gules
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Throughout the greater part of his career Greuze made what are referred to as either study heads or expressive heads, in French called têtes d’expression. He showed paintings of the kind at every biannual Salon in which he participated, that is, from 1755 through 1765 and in 1769
collection/search/436583 https://www.metmuseum.org/art/collection/search/436583 Link

collection/search/483438 https://www.metmuseum.org/art/collection/search/483438 Link

This is one of the earliest known works by Berchem, and is generally consistent with Haarlem landscape painting of the 1640s. Though the painting has awkward passages, especially the female figure and the cow, the trees and sky are fluidly painted
collection/search/435655 https://www.metmuseum.org/art/collection/search/435655 Link

collection/search/675873 https://www.metmuseum.org/art/collection/search/675873 Link

Beads (1980.456, .457) and pendant (30.95.37)Among the luxury arts that flourished under the Fatimid caliphs, gold jewelry stands out for its innovation and complexity. According to literary sources, prodigious amounts of such jewelry were manufactured for both royal and patrician patrons; most of these items were later melted down for currency or refashioned into newer pieces
collection/search/706058 https://www.metmuseum.org/art/collection/search/706058 Link

collection/search/543901 https://www.metmuseum.org/art/collection/search/543901 Link

This picture is one of four whaling subjects by Turner; the other three form part of the artist’s bequest at Tate Britain, London. The Met’s painting and another of the same title were shown at the Royal Academy in 1845, receiving a mixed reception
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William Roper, a Kentish landowner, lawyer, and four-time member of Parliament, was a member of Sir Thomas More’s household for more than sixteen years and married his eldest daughter, Margaret, in 1521
collection/search/436661 https://www.metmuseum.org/art/collection/search/436661 Link