Félix Teynard – Dandour, Vue Générale des Ruines – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/261903
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There is no record of this picture prior to its purchase between 1882 and 1884 by William Graham (1817–1885), a Glasgow merchant, major supporter of the Pre-Raphaelites, and notable collector of early Italian paintings
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London: Thames and Hudson, 1992, pp. 90-99. Burtenshaw-Zumstein, Julia T.
Inscription: (On scroll): . Ave . / . gracia . / . ple / na . (Hail [Mary] full of grace)Marking: Arms [on shield held by two angels, center top]: Vilanova of Castile, Catalonia, etc
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Inscription: [on black band against background] PADRE MIO SIENO SALVI CHOSTORO PEQUALI TU / VOLESTI CHIO PATISSI PASSIONE (My Father, let those be saved for whom you wished me to suffer the Passion); DOLCIXIMO FIGLIUOLO PELLAC: / TE CHIO TIDIE ABBI MIA DI CHOSTORO (Dearest Son, because of the milk that I gave you, have mercy on them)
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In this painting, the Madonna and Child are flanked by Saint Francis to the left, shown in the gray habit of the Franciscan order and holding the cross within his stigmata-marked hand, and Saint Jerome to the right, attired in the red robes of a cardinal, signifying his service to Pope Damasus I (305–384 CE)
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Signature: Signed inside foot in red: J.M.H.Inscription: Copernicus: (in gold panel below) Copernic. Systeme planétaire; (in banderoles) Motu/octave spherae; (in shield above) Thom
in this style,[8] and more designs in this idiom were produced until the 1840s.[9]
Pierre-François Percy, Baron de l’Empire, Paris (until d. 1825; sold with the Percy collection of 529 arms and armors, for Fr. 60,000, to Durand); Edmé-Antoine Durand, Paris (1825–30; Armures et Armes diverses composant la collection formée originairement par feu M
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