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Master of Varlungo – Madonna and Child Enthroned with Angels – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/437023

The Master of Varlungo is the name attached to a group of pictures apparently dating from the last two decades of the thirteenth century. His eponymous work is a fragmentary Madonna and Child in the church of San Pietro a Varlungo, Florence
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Bronzino (Agnolo di Cosimo di Mariano) – Portrait of a Young Man – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/435802?exhibitionId=%7B2c98eb4f-1cd0-43dc-912e-1fd5d5ef9c00%7D&oid=435802&pkgids=689&pg=1&rpp=4&pos=1&ft=*&locale=en

This arresting portrait of an unidentified young Florentine is dated by most scholars to the 1530s. During that decade Bronzino was often engaged in painting members of a close-knit circle of acquaintances with whom he shared literary interests, and this sitter—who so conspicuously holds open a book—may be from among that group
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Garofalo (Benvenuto Tisi da Garofalo) – Saint Nicholas of Tolentino Reviving the Birds – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/436443

Muzzarelli chapel, church of the convent of Sant’Andrea Apostolo, Ferrara (until at least 1787); Prince Eugène de Beauharnais, Herzog von Leuchtenberg, Munich (until d. 1824; cat., 1825, no. 40); Herzogen von Leuchtenberg, Munich and St
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Footed Bowl and Plate – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/454013

Glass Bowl and DishOf all the different categories of Mughal glass, the milky-white color of this bowl and dish ensemble constitutes the rarest type.[1] The opaque surfaces of the bowl and its matching tray are decorated with identical flowering shrubs enclosed within oval compartments, painted in two shades of gold and silver, now tarnished into a dark metallic gray
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