Attributed to Onesimos – Kylix fragments – Greek, Attic – Late Archaic – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/255599
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This well-made vessel is similar to 1975.1.1690, but cut down at the neck. The dragon medallions are clearly visible on this piece, as is the seam that joined the upper portion of the vessel to the lower during its manufacture
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In addition to an innovative series of portraits (see The Met 14.40.645), Antonello has left a no less inventive series of bust-length images of Christ as the Man of Sorrows
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From an imperial villa in Boscotrecase, near Pompeii (Santini 1905; Alexander 1929). 1903-4, excavated by Ernesto Santini from an imperial villa on his property at Boscotrecase; from 1904, collection of E
The fortunes of love and the ever-present sea are the themes that link this fresco
1911–13, excavated under the direction of Baron Max von Oppenheim; ceded to Baron Max von Oppenheim in the division of finds; acquired by the Museum in 1943, purchased from the Alien Property Custodian, New York
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Footed BowlAlong with gilded examples, the most treasured glass objects in the Islamic world were the enameled ones, which developed during the thirteenth and fourteenth centuries in Syria and Egypt under the Ayyubids and Mamluks
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Inscription: (top center): F [image of a knot] R (too fragmentary for interpretation, most likely added later as a reference to Francius de La Rochedfoucauld) (in each corner): : A [image of a knot] E [reversed] (unidentified)(on two dog collars): A [image of a knot] E [reversed] (unidentified)
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From a hypogeum (so-called “tomb B�) on the property of Savino Scocchera in Mandorleto Grotticelle, east of Canosa, Italy 1895, found in a tomb near Canosa, Apulia, Italy; [by 1904 and until 1906, with Cesare and Ercole Canessa, Naples and Paris]; acquired in 1906, purchased from C
Avenue in Gallery 162 Figure of a youth removed from funnel-jar 06.1021.248 a, b
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