Ballock Knife with Sheath – British – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/32778
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Giovanni Battista Tiepolo – The Battle of Vercellae – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/437794
invading Cimbrian Gauls at Vercellae, in Lombardy, an event that took place in 101 B.C
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Plate with David Anointed by Samuel – Byzantine – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/464379
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Openwork plaque with a striding sphinx – Assyrian – Neo-Assyrian – The Metropolitan Museum of Art https://www.metmuseum.org/collection/the-collection-online/search/325660
1961, excavated under the direction of Max Mallowan, on behalf of the British School of Archaeology in Iraq; ceded in the division of finds to the British School of Archaeology in Iraq; acquired by the Museum in 1964, as a result of its financial contribution to the excavations
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Tavares Strachan – ENOCH (display unit) – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/856524
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Christian Frederick Martin – Guitar – American – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/503933
Length of fingerboard, nut to base: 17 1/8 in. (43.4 cm); Width of fingerboard at base: 1 1/8 in. (2.8 cm);Length of body: 17 1/4 in. (43.7 cm); Wdith of upper bouts: 9 in. (23 cm);Width of middle bouts: 6 7/8 in
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Francesco Francia – Saint Roch – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/436332
This altarpiece depicts Saint Roch (ca. 1348–1376/79), known as a plague saint for his miracles in curing the sick. He became a popular figure in art following the Black Death in the fourteenth century and the Italian plague outbreak of 1477–79
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El Greco (Domenikos Theotokopoulos) – Portrait of an Old Man – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/436574
For over a century scholars have considered whether or not this sympathetic portrait of an old man is a self-portrait by El Greco. Lafond (1906) described the seemingly Romantic notion as at best a plausible hypothesis, and a number of more recent scholars (for example, Wethey 1962) have rejected the idea, mainly on the basis of comparisons with presumed self-portraits inserted by El Greco into several of his major religious pictures (see also Christiansen 2003)
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Furniture plaque: incised griffin – Old Assyrian Trading Colony – Middle Bronze Age–Old Assyrian Trading Colony – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/323574
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Pair of clappers – Middle Kingdom – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/546840
A pair of clappers could be played either with both hands or with just one. That this pair was played one-handed is indicated by the holes near the rounded ends, which show slight traces of wear caused by rubbing from an attached string
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