Marble grave stele with a family group – Greek, Attic – Late Classical – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/248483
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Each of Moretto’s rare portraits of the 1520s and 1530s demonstrates his innovative approach to the genre, culminating in the outstanding Portrait of a Man (National Gallery, London, NG 1025) of 1526, one the earliest full-length, life-size, independent portraits in Italy
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The Art of South Italy: Vases from Magna Graecia no. 44, p. 123, Richmond: Virginia
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From before 1631 and until 1902, in the Giustiniani Collection, Rome; 1902, purchased from the Giustiniani family through Giuseppe Sangiorgi by Mrs. Frederick F. Thompson, New York; acquired in 1903, gift of Mrs
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baron Arthur de Schickler, Martinvast, France (by 1908–d. 1919); his daughter, comtesse Hubert de Pourtalès, Martinvast (1919; sold to Duveen); [Duveen, Paris, and Wildenstein, Paris, 1919, as by Alvise Vivarini; sold to Salomon]; William Salomon, New York (d
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Case depth without lid: 9.25 in. (23.5 cm)3-octave span: 19.5 in. (49.5 cm)Length of longest string: 74.25 in. (188.6 cm)Length of shortest string: 4.75 in. (12 cm)Length of c2: 11 in
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Although a virtual contemporary of Jacopo Bellini, Giambono represents the final flowering of Late Gothic painting in Venice. It was the combined presence in Venice of Michelino da Besozzo, Gentile da Fabriano, and Pisanello that provided the reference points for his refined style, with its combination of decorative richness and acute description of flora and fauna
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