Jiu-cheng – Pipa (ç�µç�¶ ) – Chinese – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/500625
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L̩on Davent РCadmus killing the Dragon РThe Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/336570
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Chest – British – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/471920
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Carpet – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/446951?exhibitionId=%7B67f03ab5-3930-472a-b12a-f5f20ab10ff1%7D&oid=446951&pkgids=417&pg=1&rpp=4&pos=3&ft=*&locale=en
Inscription: Inscriptions: Outer guard band: Qur’an, ch. II, vv. 285, 286Main border: Qur’an, ch. II, v. 256Inner guard band: Qur’an, ch. VII, vv. 203–205 Border of niche: Qur’an, ch
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Hans Leinberger – Saint Stephen – South German – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/466084
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Fragmentary Loom Width with Wavy-Vine Pattern – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/451101
Length of Fabric>One of the more popular layouts with Ottoman textile artists, and one that eventually found its way into other media such as ceramic tile decoration, the pattern on this fabric fragment features parallel undulating vines adorned with leaves and flowers
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Master of the Magdalen – Madonna and Child Enthroned – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/437016
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Adolphe (Antoine Joseph) Sax – Alto saxophone in E-flat – French – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/503909?exhibitionId=%7Ba427663c-7533-4867-9794-2a5fac26eca4%7D&oid=503909&pkgids=280&pg=1&rpp=4&pos=1&ft=*&locale=en
Ratti Textile Center Modern and Contemporary Art 2 of 20 Soprano ophicleide in B-flat
Fragmentary Plate with Engraved Designs – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/449824
Fragmentary PlateThis shallow plate has a plain rim with a rounded edge. The wall curves down and in, with a depression ( diam. 4 cm [1 5/8 in.]) at the center of the floor. Most of the floor is missing; similar plates have either a plain base or three applied feet (see, for example, Smith 1957, no
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Jar – China – Northern Song dynasty (960–1127) – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/49203
New York: The Metropolitan Museum of Art, 1989, p
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