From the Passion of Christ window, choir of the castle chapel (the Schlosskapelle) at Ebreichsdorf, south of Vienna.; Lolowrat-Liebsteinsky, Ebreichsdorf (1843-73) ; Count Joseph Arco-Zinneberg, Ebreichsdorf (1873-1922) ; [ Duveen Brothers, London, Paris and New York] ; Mrs
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[Elia Volpi, Florence, until 1927; his sale, American Art Association, New York, April 2, 1927, no. 374, as by Margaritone d’Arezzo, for $900]; [Ercole Canessa, Paris and New York, 1927–d. 1929; his estate sale, American Art Association, New York, March 29, 1930, no
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From an imperial villa in Boscotrecase, near Pompeii (Santini 1905; Alexander 1929). 1903-4, excavated by Ernesto Santini from an imperial villa on his property at Boscotrecase; from 1904, collection of E
The fortunes of love and the ever-present sea are the themes that link this fresco
1911–13, excavated under the direction of Baron Max von Oppenheim; ceded to Baron Max von Oppenheim in the division of finds; acquired by the Museum in 1943, purchased from the Alien Property Custodian, New York
Here is a link to download the audio instead. Playlist 7026.
In addition to an innovative series of portraits (see The Met 14.40.645), Antonello has left a no less inventive series of bust-length images of Christ as the Man of Sorrows
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Beads (1980.456, .457) and pendant (30.95.37)Among the luxury arts that flourished under the Fatimid caliphs, gold jewelry stands out for its innovation and complexity. According to literary sources, prodigious amounts of such jewelry were manufactured for both royal and patrician patrons; most of these items were later melted down for currency or refashioned into newer pieces
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Footed BowlAlong with gilded examples, the most treasured glass objects in the Islamic world were the enameled ones, which developed during the thirteenth and fourteenth centuries in Syria and Egypt under the Ayyubids and Mamluks
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