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Inscription: Signed and dated (lower right, in white paint): F. LÉGER / 17–18; signed and dated (verso, upper left, in black paint): F. LÉGER / 17–18; titled (upper left): LE TYPOGRAPHE [subsequently painted over with white paint and re-titled]: COMPOSITION
collection/search/500432 https://www.metmuseum.org/art/collection/search/500432 Link

Inscription: Signed and dated (verso, left, in black paint): Juan Gris / ceret 10-13 [now concealed by relining; visible in infrared transmitted light; signature reproduced on relining]
collection/search/500382 https://www.metmuseum.org/art/collection/search/500382 Link

John Quinn, New York (1923–d. 1924; purchased from the artist in December 1923 for Fr 25,000; his estate, 1924–26; sold in 1926 through Brummer Gallery, New York to Duchamp and Roché); Marcel Duchamp and Henri-Pierre Roché (1926; sold in 1926, for $1,000, to Levy); Edgar A
collection/search/486757 https://www.metmuseum.org/art/collection/search/486757 Link

A traveling troupe of commedia dell’arte actors entertains a party of Venetians enjoying a summer holiday on the mainland. Such performances often ended with a minuet, depicted here. The dancing couple may be the lovers Lelio and Isabella (sometimes called by other names), the only actors in the troupe who did not wear masks
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collection/search/544068 https://www.metmuseum.org/art/collection/search/544068 Link

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This superb early work by Claesz, in pristine condition, was long considered to date from 1623 until the question was revisited in 1982 at the request of Martina Brunner-Bulst, whose monograph of 2004 and the Claesz exhibition of 2004–5 now make clear that in style and subject matter the painting is typical of the late 1620s
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