Dagger with Scabbard – Indian, Mughal – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/24907
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Name Panel from Mortuary Complex of Senwosret I – Middle Kingdom – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/575822
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Standing male worshiper – Sumerian – Early Dynastic I-II – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/323735
1933-1934, excavated under the direction of Henri Frankfort on behalf of the Oriental Institute of the University of Chicago; ceded to the Oriental Institute in the division of finds; acquired by the Museum in 1940, through an exchange of objects with the Oriental Institute
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Follower of Fra Angelico (Guido di Pietro) – Justice – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/459466?exhibitionId=%7B3d9c38ab-9b55-4695-b283-c89470bc9631%7D&oid=459466&pkgids=253&pg=1&rpp=4&pos=3&ft=*&locale=en
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Michele Giambono (Michele Giovanni Bono) – The Man of Sorrows – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/436498
Although a virtual contemporary of Jacopo Bellini, Giambono represents the final flowering of Late Gothic painting in Venice. It was the combined presence in Venice of Michelino da Besozzo, Gentile da Fabriano, and Pisanello that provided the reference points for his refined style, with its combination of decorative richness and acute description of flora and fauna
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Panel with Byzantine Ivory Carving of the Crucifixion – Byzantine (ivory); Spanish (setting) – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/464015
From the Benedictine convent of Santa Cruz de la Serós, Jaca; Charles Stein(?), Paris; Sir Thomas Gibson Carmichael, Bart., Castle Craig(sold 1902); Carmichael sale, Christie, Manson & Woods, London(May 12–13, 1902, no
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Half of a Prayer Bead with the Crucifixion – Netherlandish – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/708069
Inscription: (Exterior legend): [image of a flower] ATTENDITE . ET . VIDETE . SI EST . DOLOR . SICVT . DOLOR . MEVS([image of a flower] Look and see if [there] is sorrow like my sorrow [Lamentations 1:12])(Interior legend): O CRUX
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Don Simone Camaldolese – Manuscript Illumination with Saint Lawrence in an Initial C, from a Gradual – Italian – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/468974
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Moretto da Brescia (Alessandro Bonvicino) – Portrait of a Man – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/437158
Each of Moretto’s rare portraits of the 1520s and 1530s demonstrates his innovative approach to the genre, culminating in the outstanding Portrait of a Man (National Gallery, London, NG 1025) of 1526, one the earliest full-length, life-size, independent portraits in Italy
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Box with Romance Scenes – French – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/464125
This group of five ivory panels are the reassembled elements of a „composite casket,“ so called by scholars because the narrative scenes that adorn them are vignettes from a variety of popular stories and chivalric romances
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