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Muzzarelli chapel, church of the convent of Sant’Andrea Apostolo, Ferrara (until at least 1787); Prince Eugène de Beauharnais, Herzog von Leuchtenberg, Munich (until d. 1824; cat., 1825, no. 40); Herzogen von Leuchtenberg, Munich and St
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Glass Bowl and DishOf all the different categories of Mughal glass, the milky-white color of this bowl and dish ensemble constitutes the rarest type.[1] The opaque surfaces of the bowl and its matching tray are decorated with identical flowering shrubs enclosed within oval compartments, painted in two shades of gold and silver, now tarnished into a dark metallic gray
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1927-1928, excavated under the direction of Sir Leonard Woolley on behalf of the Joint Expedition of the University Museum, University of Pennsylvania and the British Museum; ceded to the University Museum in the division of finds; acquired by the Museum in 1933, purchased from the University Museum
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the sitter, the artist’s widow, Suzanne Manet, Paris (1883–94; sold on March 26, 1894, as „Moi chapeau noir / manteau gris“ [Me, black hat / gray coat], for Fr 60, to Vollard); [Ambroise Vollard, Paris, 1894–95; sold on March 5, 1895, as „esquisse de Manet / Mme Manet au chapeau / noir et manteau gris,“ for Fr 250 to Ménard-Dorian]; Mme Louise Aline Ménard-Dorian, Paris (1895–d
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Muzzarelli chapel, church of the convent of Sant’Andrea Apostolo, Ferrara (until at least 1787); Prince Eugène de Beauharnais, Herzog von Leuchtenberg, Munich (until d. 1824; cat., 1825, no. 35); Herzogen von Leuchtenberg, Munich and St
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The reconstructed portal is composed of five medieval elements. Neither the bases nor the arch of rosettes were part of the medieval monument. The two jambs of gray Carrara marble were apparently recarved from sections of antique sarcophagi
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Inscription: (central medallion (A), front, on scroll of Moses, center): SIC . ERIT . VITA . TVA . PENDENS / . ANE . N . CREDES . VITE . TVE (Thus your life will hang in the balance before [you], you will not be sure of your life [Deuteronomy 28:66])(central medallion (A), front, on upper left scroll): SICVT
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BottleThis bottle clearly illustrates the transitional phase of development between Late Antique and early Islamic period artifacts. Of all the crafts, glassmaking was perhaps the most conservative in terms of both artistic continuity over time and the transfer of skills and ideas from one generation to another
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Shah Tahmasp, Iran (until 1568; gifted to Selim II); Sultan Selim II (Turkish), Istanbul (from 1568); Sultan Selim III, Istanbul (by 1800); Baron Edmond James de Rothschild (French), Paris (by 1903–d
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