Claude Monet – The Four Trees – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/437121
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Peter Paul Rubens – The Garden of Love (left portion) – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/334653
(see Lugt suppl. 2141b)Lower center of mount in ink: 133Marking: Lower right collector’s
collection/search/334653 https://www.metmuseum.org/art/collection/search/334653 Link
Cylinder seal and modern impression: hunting scene – Akkadian – Akkadian – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/329090
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Jeweled Bracelet (one of pair) – Byzantine – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/464077
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Style of Jacob Backer – Portrait of an Old Woman – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/435597
When this panel was in the Kann and Havemeyer collections, it was highly regarded as a Rembrandt. The picture held its place in Rembrandt catalogues through Valentiner’s unreliable corpus of 1931, after which the work was dropped from scholarly discussions for fifty years
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Mechanical Dog – New Kingdom – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/544519
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Fragments of a Lamp – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/450812
Among hanging lighting devices, one type of lamp — globular in shape with a flaring neck — was especially common in Seljuq times. They are commonly called mosque lamps in reference to the enameled lanterns from Mamluk mosques in Cairo, which often include Qur’anic inscriptions
collection/search/450812 https://www.metmuseum.org/art/collection/search/450812 Link
Giovanni Gerolamo Savoldo – Saint Matthew and the Angel – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/437630
Saint Matthew is shown seated in a dark interior lit by an oil lamp and assisted by an angel in his writing of the gospel. The diminutive scenes in the background, whose subjects have been debated, relate to his life as presented in the Golden Legend
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Hans Holbein the Younger – Margaret Roper (Margaret More, 1505–1544) – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/436662
Margaret was the eldest child and favorite daughter of Sir Thomas More. She married William Roper (50.69.1) in 1521. She was born about October 1505, and the age assigned to her in the artist’s inscription indicates that this miniature was painted in 1535–36, shortly after her father’s execution
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Workshop of Robert Campin – Annunciation Triptych (Merode Altarpiece) – Netherlandish – The Metropolitan Museum of Art https://www.metmuseum.org/Collections/search-the-collections/470304
Marking: Arms (central panel, left window): D’or au chevron de sable charge sur sa pointe d’une chaine de quatre chainons d’argent elle meme placee en chevron. For Ingelbrechts (Ingelbrechts or Ymbrechts) of Malines and Spain
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