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collection/search/471920 https://www.metmuseum.org/art/collection/search/471920 Link

collection/search/468720 https://www.metmuseum.org/art/collection/search/468720 Link

This is one of a very few works that may be attributed to Berlinghiero based on analogies of style with a Crucifix in the Museo di Villa Guinigi, Lucca, that is signed „Berlingherius me pinxit.“ The painter—a key figure in the history of Tuscan painting—was from Volterra and is first documented in 1228 together with his two sons Barone and Bonaventura, both of whom, together with a third son, Marco, also became painters
collection/search/435658 https://www.metmuseum.org/art/collection/search/435658 Link

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[Before 1963, with Ayoub Rabenou]; from 1963, on loan by The Guennol Collection (Alastair Bradley Martin’s collection) to the Museum (L.63.10.2); until 1994, Alastair Bradley Martin’s family; acquired by the Museum in 1994, purchased from The Merrin Gallery, New York
[adapted from Benzel, Kim, Sarah B. Graff, Yelena Rakic, and Edith W.

Beads (1980.456, .457) and pendant (30.95.37)Among the luxury arts that flourished under the Fatimid caliphs, gold jewelry stands out for its innovation and complexity. According to literary sources, prodigious amounts of such jewelry were manufactured for both royal and patrician patrons; most of these items were later melted down for currency or refashioned into newer pieces
collection/search/706058 https://www.metmuseum.org/art/collection/search/706058 Link

collection/search/437835 https://www.metmuseum.org/art/collection/search/437835 Link

collection/search/488298 https://www.metmuseum.org/art/collection/search/488298 Link

invading Cimbrian Gauls at Vercellae, in Lombardy, an event that took place in 101 B.C
collection/search/437794 https://www.metmuseum.org/art/collection/search/437794 Link