Dein Suchergebnis zum Thema: Link/</p/""/"<b/"images/9/99/"

The daughter of an army sergeant, Hendrickje Stoffels advanced in Rembrandt’s household from servant (by 1649) to mistress, presumed model, and common-law wife, as well as stepmother to the artist’s son Titus (1641–1668) and mother of his daughter Cornelia (1654–1685)
collection/search/437396 https://www.metmuseum.org/art/collection/search/437396 Link

1967, excavated under the direction of David Stronach and John Hansman, representing the British Institute of Persian Studies and the Oriental Institute of the University of Chicago; acquired by the Museum in 1969, as a result of its financial contribution to the excavations
collection/search/325991 https://www.metmuseum.org/art/collection/search/325991 Link

The reconstructed portal is composed of five medieval elements. Neither the bases nor the arch of rosettes were part of the medieval monument. The two jambs of gray Carrara marble were apparently recarved from sections of antique sarcophagi
Here is a link to download the audio instead.

Henry II, King of France (until d. 1559); Carl August, Grand Duke of Saxe-Weimar-Eisenach, Residenzschloss, Weimar (by 1804–d. 1828); by descent to Wilhelm Ernst, Grand Duke of Saxe-Weimar-Eisenach, Residenzschloss, Weimar, later Schloss Heinrichau, Lower Silesia, Germany (now Henryków, Poland) (1901–d
Here is a link to download the audio instead.

The Artist: One of the leading painters in Rome in the late seventeenth century and the first half of the eighteenth, Trevisani trained in Venice before moving to the papal city, where he worked for Cardinal Flavio Chigi (1631–1693), the nephew of Pope Alexander VII
collection/search/441965 https://www.metmuseum.org/art/collection/search/441965 Link

Inscription: At upper right, inscribed „nota quod color pullus non est / peculiaris Sinensium litteratis sed / Patribus S Iesù exceptis tamen fascijs / ceruleis quae [„omnibus“ deleted] ceteris [que] communes sunt / Sinenses porro vestis colore non uno / sed quovis promiscue utantur
collection/search/337844 https://www.metmuseum.org/art/collection/search/337844 Link

the Central Binyang Cave in honor of his father, the emperor Xiaowen (r. 471–99

baron Arthur de Schickler, Martinvast, France (by 1908–d. 1919); his daughter, comtesse Hubert de Pourtalès, Martinvast (1919; sold to Duveen); [Duveen, Paris, and Wildenstein, Paris, 1919, as by Alvise Vivarini; sold to Salomon]; William Salomon, New York (d
collection/search/436769 https://www.metmuseum.org/art/collection/search/436769 Link

This is an early work by Alessandro Bonvicino, known as Moretto da Brescia, who, along with Girolamo Romanino, was the dominant painter in the city of Brescia (then in the westernmost area of Venice’s mainland empire) in the first half of the sixteenth century
collection/search/437157 https://www.metmuseum.org/art/collection/search/437157 Link

collection/search/325650 https://www.metmuseum.org/art/collection/search/325650 Link