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Spherical and Biconical Gold Beads – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/706058

Beads (1980.456, .457) and pendant (30.95.37)Among the luxury arts that flourished under the Fatimid caliphs, gold jewelry stands out for its innovation and complexity. According to literary sources, prodigious amounts of such jewelry were manufactured for both royal and patrician patrons; most of these items were later melted down for currency or refashioned into newer pieces
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Gerard ter Borch the Younger – The Van Moerkerken Family – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/435716

This portrait of the artist’s cousin Hartogh van Moerkerken (1622–1694), his first wife, Sibilla Nijkerken (1625–1665), and their son Philippus (1652–1688) is generally dated 1653–54 on stylistic grounds, and more specifically on the basis of the boy’s apparent age (he was born on January 8, 1652, and seems here to be about two years old)
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Textile fragment – Sasanian – Sasanian – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/325992

1967, excavated under the direction of David Stronach and John Hansman, representing the British Institute of Persian Studies and the Oriental Institute of the University of Chicago; acquired by the Museum in 1969, as a result of its financial contribution to the excavations
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Joseph Mallord William Turner – Venice, from the Porch of Madonna della Salute – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/437853

Turner made three trips to Venice, in the late summers of 1819, 1833, and 1840, and the present painting, exhibited at the Royal Academy in 1835, must have been painted upon his return from his second visit, presumably using his own drawings and watercolors as source materials
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