Bartolomeo Suardi was known as Bramantino after his contemporary in Milan, the great architect Bramante (1443/44–1514); his abiding interest in perspective and architecture, reflected in the background of this rare, private devotional painting, comes from that source
collection/search/435768 https://www.metmuseum.org/art/collection/search/435768 Link
Although a virtual contemporary of Jacopo Bellini, Giambono represents the final flowering of Late Gothic painting in Venice. It was the combined presence in Venice of Michelino da Besozzo, Gentile da Fabriano, and Pisanello that provided the reference points for his refined style, with its combination of decorative richness and acute description of flora and fauna
Here is a link to download the audio instead. Playlist 2639.
Here is a link to download the audio instead.
London: Thames and Hudson, 1992, pp. 90–99. Isbell, William H. and Anita G.
Pater, born in Valenciennes, was apprenticed to a local painter in 1706. A contemporary would later report that his father sent him to Paris to study with Jean Antoine Watteau (1684–1721): probably the two painters left Valenciennes together in late 1709 or 1710
collection/search/437257 https://www.metmuseum.org/art/collection/search/437257 Link
Four Folios from the Emperor’s Album (nos. 55.121.10.39, .13, .21,.4r)This celebrated imperial Mughal album (muraqqa‘), known as the Shah Jahan, or Emperors’, Album originally consisted of fifty leaves containing paintings, illuminated pages, and calligraphy
Here is a link to download the audio instead. Playlist 6770.
collection/search/547773 https://www.metmuseum.org/art/collection/search/547773 Link
Length of Fabric>One of the more popular layouts with Ottoman textile artists, and one that eventually found its way into other media such as ceramic tile decoration, the pattern on this fabric fragment features parallel undulating vines adorned with leaves and flowers
collection/search/451101 https://www.metmuseum.org/art/collection/search/451101 Link
Inscription: Title page inscribed: Nr. 18; porfolio folder inscribed and dated: Erste / George Grosz – Mappe / 1917; extra porfolio folder inscribed and dated: Erste / George Grosz – Mappe / 1917; „Erinnerung an New York“ (lithograph) inscribed (lower left, on verso): Erinnerung an New York / George Grosz; „Straße in der Stadt“ (lithograph) inscribed (lower left, on verso):
collection/search/491927 https://www.metmuseum.org/art/collection/search/491927 Link
collection/search/38435 https://www.metmuseum.org/art/collection/search/38435 Link
