Workshop of Bernardo Daddi – The Crucifixion – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/436072
collection/search/436072 https://www.metmuseum.org/art/collection/search/436072 Link
collection/search/436072 https://www.metmuseum.org/art/collection/search/436072 Link
There is no record of this picture prior to its purchase between 1882 and 1884 by William Graham (1817–1885), a Glasgow merchant, major supporter of the Pre-Raphaelites, and notable collector of early Italian paintings
collection/search/436311 https://www.metmuseum.org/art/collection/search/436311 Link
collection/search/250951 https://www.metmuseum.org/art/collection/search/250951 Link
[By 1918, R.D. Messayeh, New York]; [1919, purchased by Joseph Brummer from Messayeh, New York (Brummer inv. no. N315)]; acquired by the Museum in 1947, purchased from the estate of Joseph Brummer, New York
Here is a link to download the audio instead. Playlist 7004.
(see Lugt suppl. 2141b)Lower center of mount in ink: 133Marking: Lower right collector’s
collection/search/334653 https://www.metmuseum.org/art/collection/search/334653 Link
Here is a link to download the audio instead. Playlist 1056.
In this painting, the Madonna and Child are flanked by Saint Francis to the left, shown in the gray habit of the Franciscan order and holding the cross within his stigmata-marked hand, and Saint Jerome to the right, attired in the red robes of a cardinal, signifying his service to Pope Damasus I (305–384 CE)
collection/search/436335 https://www.metmuseum.org/art/collection/search/436335 Link
collection/search/323568 https://www.metmuseum.org/art/collection/search/323568 Link
Inscription: [on black band against background] PADRE MIO SIENO SALVI CHOSTORO PEQUALI TU / VOLESTI CHIO PATISSI PASSIONE (My Father, let those be saved for whom you wished me to suffer the Passion); DOLCIXIMO FIGLIUOLO PELLAC: / TE CHIO TIDIE ABBI MIA DI CHOSTORO (Dearest Son, because of the milk that I gave you, have mercy on them)
collection/search/470328 https://www.metmuseum.org/art/collection/search/470328 Link
the high altar of the church of San Domenico, Modena (until about 1708–10); John Edward Taylor, London (until d. 1905); his widow, Mrs. John E. Taylor, London (1905–12; her sale, Christie’s, London, July 5 and 8, 1912, no
collection/search/435616 https://www.metmuseum.org/art/collection/search/435616 Link