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Leonardo da Vinci – Allegory on the Fidelity of the Lizard (recto); Design for a Stage Setting (verso) – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/339130

Inscription: Recto inscribed toward the center of the upper border in pen and medium brown ink by Leonardo, script reading from right to left:ilramarro . fedele allomo vede[n]do quello adorme[n] / tato
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Dieric Bouts – Virgin and Child – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/435762

The Artist: Dieric Bouts was initially mentioned by Lodovico Guicciardini as “Dirick d’Haarlem� in his Descrittione di tutti i Paesi Bassi, altrimenti detti Germania inferiore.[1] According to Karel van Mander, whose Schilder-boeck of 1604 described the life and works of 250 European painters of the fifteenth and sixteenth centuries, Dieric Bouts was one of the founders of the Haarlem School of painting
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Correggio (Antonio Allegri) – Saints Peter, Martha, Mary Magdalen, and Leonard – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/435992

One of Correggio’s most significant early works, this altarpiece was painted for a church in the artist’s hometown (from whence his name derives) to the east of Parma. It was commissioned by a local patron, Melchior Fassi, and hung in his chapel in the hospital church of Santa Maria Verberator, usually known as Santa Maria della Misericordia, until 1690
B[ryson]. B[urroughs]. "Four Saints by Correggio."

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Francesco Francia – Saint Roch – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/436332

This altarpiece depicts Saint Roch (ca. 1348–1376/79), known as a plague saint for his miracles in curing the sick. He became a popular figure in art following the Black Death in the fourteenth century and the Italian plague outbreak of 1477–79
collection/search/436332 https://www.metmuseum.org/art/collection/search/436332 Link

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Rembrandt (Rembrandt van Rijn) – Aristotle with a Bust of Homer – The Metropolitan Museum of Art

https://www.metmuseum.org/Collections/search-the-collections/437394

This picture was painted in 1653 for the Sicilian nobleman Don Antonio Ruffo (1610/11–1678) and sent from Amsterdam to his palace in Messina during the summer of 1654. Ruffo was an avid collector; at his death he had 364 paintings, including a work by Van Dyck, Saint Rosalie Interceding for the Plague-stricken of Palermo, now also in The Met (Spiegel Historiael 4 (September 1969), p. 456, fig. 9. B[ob]. Haak.