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Greuze was of modest birth, the son of a roofer. He received his early training in Lyons and in Paris studied drawing with Charles Joseph Natoire. In 1755, after he was accepted as a candidate member of the Académie Royale de Peinture et de Sculpture in the category of genre painter, Greuze presented five works for exhibition at the Salon
collection/search/436579 https://www.metmuseum.org/art/collection/search/436579 Link

African king Jugurtha, in chains, walking before him, an event that took place in 104 B.C
Here is a link to download the audio instead. Playlist 5092.

This arresting portrait of an unidentified young Florentine is dated by most scholars to the 1530s. During that decade Bronzino was often engaged in painting members of a close-knit circle of acquaintances with whom he shared literary interests, and this sitter—who so conspicuously holds open a book—may be from among that group
Here is a link to download the audio instead. Playlist 5102.

Hayes described the piece as an image of King Amenemhat I (ca
collection/search/544179 https://www.metmuseum.org/art/collection/search/544179 Link

This panel of about 1650–51 introduces the most admired qualities of Ter Borch’s mature style (as found, for example, in Curiosity of about 1660–62, The Met 49
collection/search/435718 https://www.metmuseum.org/art/collection/search/435718 Link

Daily Chronicle (October 5, 1912), p. 6 [reprinted in J. B.

Studying first with François Élie Vincent (1708–1790), a miniaturist whose Paris studio was in the same street as her father’s shop, Adélaïde Labille embarked upon her career before she was twenty
B. D. B. Gattières, 1785, p. 22 [Collection Deloynes, vol. 14, no. 345].

New School for Social Research, New York (1931–82; unveiled January 1, 1931; sold in May 1982 to Maurice Segoura Gallery); [Maurice Segoura Gallery, New York, 1982–84; sold on February 1, 1984 to Equitable Life]; The Equitable Life Assurance Society of the United States (now AXA), New York (1984–2012; their gift to MMA)
collection/search/499559 https://www.metmuseum.org/art/collection/search/499559 Link

This arresting portrait of an unidentified young Florentine is dated by most scholars to the 1530s. During that decade Bronzino was often engaged in painting members of a close-knit circle of acquaintances with whom he shared literary interests, and this sitter—who so conspicuously holds open a book—may be from among that group
Here is a link to download the audio instead. Playlist 5102.

The Artist: For a biography of Petrus Christus, see the Heilbrunn Timeline of Art History.The Subject and Function of the Painting: After Christ’s crucifixion, his corpse was taken down from the cross and prepared for burial
collection/search/435898 https://www.metmuseum.org/art/collection/search/435898 Link