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Here is a link to download the audio instead. Playlist 6144.

collection/search/44791 https://www.metmuseum.org/art/collection/search/44791 Link

New York, 1965, pp. 98–99, no. 147, ill. Henry Geldzahler.

collection/search/436138 https://www.metmuseum.org/art/collection/search/436138 Link

The Artist: Only during the last five decades has Donato de‘ Bardi emerged as an important figure in the history of north Italian painting, notable for the manner in which he responded to Netherlandish and French painting and set the stage for the achievement of Vincenzo Foppa—the outstanding painter of fifteenth-century Lombardy
collection/search/435602 https://www.metmuseum.org/art/collection/search/435602 Link

Gospel Book with Enameled and Jeweled Silver PlaquesThis Gospel manuscript was copied by the scribe Grigor the priest (k’ahanay), probably in Cilicia in the thirteenth century.[1] In the seventeenth century, the manuscript was further embellished with silver repoussé plaques produced by the silversmith Astuatsatur Shahamir in a workshop in Kayseri, as indicated by the inscriptions, which read: on the front, top, „Glory to God in the highest and on earth peace“; on the front, bottom, „This Gospel was made through his honestly earned assets to pray and praise our Savior, Jesus Christ“; and on the back, bottom, „And I, unworthy Astuatsatur Shahamir, decorated this with silver in the year of the Armenians 1140 [AD 1691] in the city of Kayseri, with God’s help
collection/search/446861 https://www.metmuseum.org/art/collection/search/446861 Link

When this panel was in the Kann and Havemeyer collections, it was highly regarded as a Rembrandt. The picture held its place in Rembrandt catalogues through Valentiner’s unreliable corpus of 1931, after which the work was dropped from scholarly discussions for fifty years
collection/search/435597 https://www.metmuseum.org/art/collection/search/435597 Link

the convent of Sant’Antonio da Padova, Perugia (until 1663; sold to Christina); Christina, former Queen of Sweden, Rome (1663–d. 1689; unnum. inv., ca. 1689); Cardinal Decio Azzolino, Rome (d. 1689); his nephew, marchese Pompeo Azzolino, Rome (1689–96; sold to Odescalchi); principe Livio Odescalchi, duca di Bracciano, Rome (1696–d
Stockholm, 1897, pp. 9, 32, no. 17, App. III, p. LXXIII, no. 144, pl.

collection/search/261903 https://www.metmuseum.org/art/collection/search/261903 Link

New York, 1960, p. 600, fig. 21–9. Irving Lavin.