Henri Matisse – Snow Flowers – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/490000
collection/search/490000 https://www.metmuseum.org/art/collection/search/490000 Link
collection/search/490000 https://www.metmuseum.org/art/collection/search/490000 Link
collection/search/544822 https://www.metmuseum.org/art/collection/search/544822 Link
collection/search/323568 https://www.metmuseum.org/art/collection/search/323568 Link
collection/search/49519 https://www.metmuseum.org/art/collection/search/49519 Link
The Artist: Nicholas Hilliard, the son of Richard Hilliard, an Exeter goldsmith, made his earliest known miniatures in 1560. He served his apprenticeship as a goldsmith, beginning in 1562 with Robert Brandon, whose daughter Alice he was to marry in 1576
collection/search/436649 https://www.metmuseum.org/art/collection/search/436649 Link
?Jean Dollfus, Paris (in 1908); sale, Hôtel Drouot, Paris, December 20, 1985, no. 64 [Trinity in present (engaged) frame, but surmounting a Crucifixion], attributed to Alegretto Nuzi, for Fr 280,000 to Wildenstein; [Wildenstein, Paris and New York, 1985–89]
collection/search/435618 https://www.metmuseum.org/art/collection/search/435618 Link
Prince Antonin Juritzky, also known as Alfred Juritzky-Warberg, Vienna or Schloss Gablitz, near Vienna (in 1923); [Nicholas A. Karger, until 193(?); sold to Kleinberger]; [Kleinberger, Paris and New York, until 1934; sold to Wildenstein]; [Wildenstein, New York, 1934–41; sold to The Met]
collection/search/437006 https://www.metmuseum.org/art/collection/search/437006 Link
Here is a link to download the audio instead. Playlist 2080.
This luxurious ivory box is an outstanding example of approaches to art-making typical of French royal courts of the fourteenth century. Composed of six panels of ivory glued to cardboard, it is the type of precious and exclusive object that royals and high aristocrats desired, commissioned, and gifted during festive occasions like New Year’s Day
collection/search/464046 https://www.metmuseum.org/art/collection/search/464046 Link
One of Correggio’s most significant early works, this altarpiece was painted for a church in the artist’s hometown (from whence his name derives) to the east of Parma. It was commissioned by a local patron, Melchior Fassi, and hung in his chapel in the hospital church of Santa Maria Verberator, usually known as Santa Maria della Misericordia, until 1690
collection/search/435992 https://www.metmuseum.org/art/collection/search/435992 Link