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Bronze neck-amphora (jar) with lid and bail handle – Greek – Archaic – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/255060

von Bothmer, Dietrich. 1961. „Newly Acquired Bronzes–Greek, Etruscan, and Roman.“ Bulletin of the Metropolitan Museum of Art, 19(5): pp. 140–41, 144, figs. 10–12.Mertens, Joan R. 1985. „Greek Bronzes in the Metropolitan Museum of Art.“ Bulletin of the Metropolitan Museum of Art, 43(2): no. 19, pp. 8, 33.Krauskopf, Ingrid. 1995. „Überlegungen zur zeitlichen Diskrepanz zwi[s]chen Metallgefässen und ihren Nachbildungen in Ton.“ Vaisselle MeÌ�tallique, Vaisselle CeÌ�ramique: Productions, Usage et Valeurs en EÌ�trurie, Revue des études anciennes 97, Jean-René Jannot, ed. pp. 80, 83 n. 34, 85, fig. 2, Bordeaux: Revue des EÌ�tudes Anciennes.Stibbe, Conrad M. 2000. The Sons of Hephaistos: Aspects of the Archaic Greek bronze Industry. p. 154, Roma: L’Erma di Bretschneider.Picón, Carlos A. 2007. Art of the Classical World in the Metropolitan Museum of Art: Greece, Cyprus, Etruria, Rome no. 93, pp. 88, 423, New York: The Metropolitan Museum of Art.
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Grisaille Panel – French – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/471888

From the chapel of Château-de-Bouvreuil, Rouen (destroyed late 16th century; glass installed in the chapel of a building constructed on the same site (late 17th century–early 19th century); [ Art market, rue Saint-Remain, Rouen (sold 1905)] ; Albert Gorge, Rouen (1905–sold shortly after 1910) ; [ Bacri Frères, Paris (acquired shortly after 1910–sold before 1935)] ; [ Michel Acézat Paris, 1878–1944 (acquired before 1935–until 1944)] ; his posthumous sale, Hôtel Drouot, Paris (November 24-25, 1969, no
collection/search/471888 https://www.metmuseum.org/art/collection/search/471888 Link

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Grisaille Panel – French – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/471889

From the chapel of Château-de-Bouvreuil, Rouen (destroyed late 16th century; glass installed in the chapel of a building constructed on the same site (late 17th century–early 19th century); [ Art market, rue Saint-Remain, Rouen (sold 1905)] ; Albert Gorge, Rouen (1905–sold shortly after 1910) ; [ Bacri Frères, Paris (acquired shortly after 1910–sold before 1935)] ; [ Michel Acézat Paris, 1878–1944 (acquired before 1935–until 1944)] ; his posthumous sale, Hôtel Drouot, Paris (November 24-25, 1969, no
collection/search/471889 https://www.metmuseum.org/art/collection/search/471889 Link

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Grisaille Panel – French – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/471890

From the chapel of Château-de-Bouvreuil, Rouen (destroyed late 16th century; glass installed in the chapel of a building constructed on the same site (late 17th century–early 19th century); [ Art market, rue Saint-Remain, Rouen (sold 1905)] ; Albert Gorge, Rouen (1905–sold shortly after 1910) ; [ Bacri Frères, Paris (acquired shortly after 1910–sold before 1935)] ; [ Michel Acézat Paris, 1878–1944 (acquired before 1935–until 1944)] ; his posthumous sale, Hôtel Drouot, Paris (November 24-25, 1969, no
collection/search/471890 https://www.metmuseum.org/art/collection/search/471890 Link

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Diptych with the Coronation of the Virgin and the Last Judgment – French – The Metropolitan Museum of Art

https://www.metmuseum.org/ko/art/collection/search/471975

This diptych is composed of a pair of thick ivory panels. Two modern hinges hold the panels together, allowing them to fold closed like a book and lock by means of a hook and eye latch on their outer rims
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Sèvres Manufactory – Standing cup with cover (vase couty or coupe couty) – French, Sèvres – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/207870

Inscription: Inscribed within panel: EXPOSITION UNIVERSELLE INTERNATIONALE/MDCCCLXXVIII PARISMarking: Printed in red enamel on underside: [1] RF DECORE A SEVRES / 79 in a circle, (Sèvres factory mark and year 1879) Printed in green enamel on underside: [2] S
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Relief of Thutmose III – New Kingdom – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/544455?exhibitionId=%7B93440c6e-13e0-4862-9f3e-692791f736dc%7D&oid=544455&pkgids=238&pg=1&rpp=4&pos=1&ft=*&locale=en

Excavated by Lord Carnarvon and Howard Carter, 1906. Acquired by Carnarvon in the division of finds. Carnarvon Collection 1906-1926. Carnarvon Collection purchased by the Museum from Lady Carnarvon, 1926
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Dress ornament – Scythian – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/328966

Until 1924, collection of Alexandre Merle de Massonneau, who acquired material from the Caucasus area of south Russia and Crimea in the late nineteenth and early twentieth centuries (Leskov 2008, p. 1); acquired by the Museum in 1924, purchased from the Massonneau collection in Paris by John Marshall, The Metropolitan Museum of Art’s agent in Europe
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