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collection/search/320815 https://www.metmuseum.org/art/collection/search/320815 Link

collection/search/319903 https://www.metmuseum.org/art/collection/search/319903 Link

Inscription: Inscribed in ink on mount, recto BL: Nubie.“; inscribed in ink on mount, recto BC: „Propylon du Temple de Dandour. (Tropique du Cancer)“; inscribed in ink on mount, recto BR: „No
collection/search/287194 https://www.metmuseum.org/art/collection/search/287194 Link

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The Crusaders then took over many of the cities on the Mediterranean coast and built a large number of fortified castles all over the Holy Land to protect their new territories.
sometimes combines an Islamic aesthetic with Christian subject matter ( 1971.39a,b)

collection/search/307975 https://www.metmuseum.org/art/collection/search/307975 Link

Inscription: Inscribed in pencil on mount, recto TRC: „93“; inscribed in ink on mount, recto BL: Nubie.“; inscribed in ink on mount, recto BC: „Vue du pronaos du Temple de Dandour. (Tropique du Cancer)“; inscribed in ink on mount, recto BR: „No
collection/search/287195 https://www.metmuseum.org/art/collection/search/287195 Link

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Taking inspiration from the unruly aspects of the natural world, Art Nouveau influenced art and architecture especially in the applied arts, graphic work, and illustration.
important display of decorative objects ( 1991.182.2); ( 26.228.7); ( 1988.287.1a,b)

Watteau, the son of a roofer, left Valenciennes for Paris about 1702 to work there as a copyist and assistant to Claude Gillot (1673–1722) and Claude III Audrun (1658–1734). He became interested in theater and fell under the spell of Peter Paul Rubens (1577–1640)
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