Charles Clarence Dawson – Cover of The Negro in Art Week, November 16–23 – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/898013
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Purchased from Eustache de Lorey, Paris, 1934; continuously exhibited and frequently published since that time; included in interational exhibition Cleopatra’s Egypt, Brooklyn and Munich, 1988, and La Gloire d’Alexandrie, Paris 1998
Here is a link to download the audio instead. Playlist 3210.
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Here is a link to download the audio instead. Playlist 7370.
Attribution, Date, and Bruegel’s Working Methods: When The Met acquired The Harvesters in 1919, the extraordinarily low sale price in part had to do with the art market that had virtually collapsed during World War I
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Karl Anton Prinz von Hohenzollern-Sigmaringen(inv. no. 5236); Baron Robert von Hirsch, Frankfurt and Basel (until 1977); his sale, Sotheby’s, London(22 June 1978, lot 267); [ Michael Ward, New York (sold 1996)]
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Here is a link to download the audio instead. Playlist 94.
Taken to England by John Barker; exhibited in the recesses of Waterloo Bridge in connection with being offered for sale at Sotheby’s, London, 1833; Collection of John Lee of Hartwell from 1833; Collection of Lord Amherst from about 1864; purchased by the Museum from Lord Amherst’s family, 1915
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