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Inscription: Artist’s signature (1 column in standard script)Servitor, Ma Yuan 臣馬é� Collector’s sealsWang Jiqian 王季é�· (C. C. Wang, 1907–2002)Jiqian xinshang å­£é�·å¿ƒè³žZhuli Guan 竹è£�舘
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Palazzo Barberini, Rome, likely 1679-at least 1881 and probably 1890; E. Volpi, Florence, as early as 1890-1905; exported from Italy, July 1905 (dated customs stamp on reverse of panel); Oscar Huldschinsky, Berlin, from 1906-May 1928; Huldschinsky sale, Cassirer and Helbing, Berlin, May 10–11, 1928, no
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From the Saint Anne Portal, Cathedral of Notre-Dame, Paris (ca. 1180–ca. 1793 (?)).; possibly Dr. Lecorché, France (?); [ Lucien J. Demotte, Paris and New York (through Manuel Cobo, by 1930–sold 1937)]; [ C
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Inscription: No artist’s inscription, signature, or sealFrontispiece Unidentified artist, 1 column in standard script, undated: Summer Mountains by Yan Wengui燕文貴 《�山圖》Other inscriptionQing emperor Qianlong 清�乾隆 (r
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When it came to depicting Jesus on the Cross, many artists of the earlier Middle Ages portrayed Jesus as alive and alert, his body entirely resistant to the trauma of crucifixion. In this example, Jesus almost bears himself easily, with his torso erect, knees slightly bent, and head held high
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conservation, Islamic
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Jean, Duke of Berry d. 1416 (1408/09–d. 1416; item no. 960 in 1413 inventory) ; Yolande, Queen of Sicily and Duchess of Anjou (1417–d.1443) ; Pierre-Gabriel Bourlier, baron d’Ailly (before 1879–sold by 1884) ; Baron Edmond James de Rothschild, Paris (by 1884–d
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