Chiriquà artist(s) – Warrior – ChiriquÃ, Aguas Buenas Phase – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/312642
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James McNeill Whistler – Little Venice (The Little Venice) – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/364212
Inscription: In plate: butterfly monogramIn graphite on reserved tab: butterfly monogram and „imp“Marking: John Pomeroy Townsend 1832-1898, New York, blue stamp verso, not in Lugt
collection/search/364212 https://www.metmuseum.org/art/collection/search/364212 Link
Paulo Prado – The Metropolitan Museum of Art https://www.metmuseum.org/research-centers/leonard-a-lauder-research-center/research-resources/modern-art-index-project/prado
São Paulo, 1869–Rio de Janeiro, 1943
remained committed to advancing his vision of Brazilian modernity and was an important link
Maxime Du Camp – Égypte, Nubie, Syrie: Paysages et Monuments – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/286683
collection/search/286683 https://www.metmuseum.org/art/collection/search/286683 Link
Nineteenth-Century Iran: Continuity and Revivalism – The Metropolitan Museum of Art https://www.metmuseum.org/essays/nineteenth-century-iran-continuity-and-revivalism
The art of Iran in the nineteenth century must be understood as comprising two divergent yet intertwined trends, a push for modernity and a continuation of indigenous traditions.
accessible sites such as Taq-i Bustan and Rayy and were thus meant to publicly link
Rembrandt (1606–1669): Paintings – The Metropolitan Museum of Art https://www.metmuseum.org/essays/rembrandt-van-rijn-1606-1669-paintings
However, a crucial aspect of Rembrandt’s development was his intense study of people, objects, and their surroundings “from life.”
Italy, like Lastman, the Utrecht painter Gerrit van Honthorst (Rembrandt’s main link
Sphere – DiquÃs – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/321295
collection/search/321295 https://www.metmuseum.org/art/collection/search/321295 Link
Foot-Combat Helm of Sir Giles Capel (1485–1556) – possibly British – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/21997
Sir Giles Capel, Rayne Hall, Essex, England (until d. 1556; bequeathed to All Saints Chapel); All Saints Chapel, Rayne Hall, Essex, England (1556–1840; removed by Parmenter); William Parmenter, Bocking, Essex, England (1840–about 1866; sold for 10 s, to Courtauld); Edith Courtauld (later Arendrup), London, England (about 1866–80; gift to de Cosson); Baron Charles Alexander de Cosson, London (1880–93; sold on April 17, 1893, for Fr
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Modern Art in West Asia: Colonial to Post-colonial – The Metropolitan Museum of Art https://www.metmuseum.org/essays/modern-art-in-west-asia-from-colonial-to-post-colonial-period
After independence, artists in Iraq, Jordan, and Syria experimented with a variety of techniques and styles irrespective of the current international trends.
were members of an all-Iraqi faculty at the Institute of Fine Arts and the only link
Lidded Basket – Tutsi peoples – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/310769
collection/search/310769 https://www.metmuseum.org/art/collection/search/310769 Link