Baule artist – Heddle pulley with elephant head – Baule peoples – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/310732
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collection/search/746804 https://www.metmuseum.org/art/collection/search/746804 Link
Eight different creatures inhabit the seven blocks of this enchanting carved archway. All but two come from the imagination, merging parts of different animals found in nature. Beginning at far left, we see a manticore, a fantastic creature with the head of a man, the body of a lion, and the tail of a scorpion
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The Concourse of the BirdsThe manuscript from which this painting comes was produced in 1483 at the Timurid court of Sultan Husayn Baycara at Herat. It contains four illustrations that may or may not be by the hand of Bihzad, the most famous artist of that era, but represent his innovative, perfectionist style
collection/search/451725 https://www.metmuseum.org/art/collection/search/451725 Link
Inscription: (On scroll): . Ave . / . gracia . / . ple / na . (Hail [Mary] full of grace)Marking: Arms [on shield held by two angels, center top]: Vilanova of Castile, Catalonia, etc
collection/search/468106 https://www.metmuseum.org/art/collection/search/468106 Link
Textile FragmentThe royal textile factories of al-Andalus were famous throughout the medieval world in a period when luxury textiles constituted one of the most valuable possessions in a ruler’s treasury as well as in the trousseaux of wealthy brides
collection/search/448232 https://www.metmuseum.org/art/collection/search/448232 Link
Bargello, 353 B; see Allen 2008a, pp. 108–9. 6.
Remembering Richard E. Stone, Conservator Emeritus in the Department of Objects Conservation.
Symposium held December 3–5, 1996, Boston, Massachusetts, USA, edited by Pamela B.
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Richter, Gisela M. A. 1912. „Early Attic Vase.“ Bulletin of the Metropolitan Museum of Art, 7(4): pp. 68–71.Richter, Gisela M. A. 1917. Handbook of the Classical Collection. p
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