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Tunic with Dionysos and Dionysian ThemesA longer, wider version of the tunic was the ubiquitous garment of the Late Antique period. This tunic is one of four in the Museum’s collection said to be from Akhmim, an ancient weaving center and apparently a center of both pagan and Christian thought and religion
collection/search/447844 https://www.metmuseum.org/art/collection/search/447844 Link

evidently commissioned by Cosimo il Vecchio de‘ Medici (before March 1432) ; subsequent Medici family owners (until at least 1516) ; Sir John William Ramsden M.P., 5th Baronet , Muncaster Castle, Ravenglass, Cumbria and Bulstrode Park, Gerrards Cross, Buckinghamshire (by 1875 when exhibited by him in Yorkshire Exhibition of Arts & Manufactures at Leeds, May 1875 (catalogue p
collection/search/207394 https://www.metmuseum.org/art/collection/search/207394 Link

collection/search/698689 https://www.metmuseum.org/art/collection/search/698689 Link

From the high altar of the Cistercian abbey, Lichtenthal, near Baden-Baden, Baden-Württemberg; Dutch or German Private Collection ; [ Sotheby’s, London (July 28, 1939, no. 103) ] ; [ John Hunt, Ireland (1939–sold 1952)]
collection/search/471431 https://www.metmuseum.org/art/collection/search/471431 Link

and were decorated with post-fired paints (see Valdez 1992:136; MMA 1991.436.7a, b)

BottleThis large bottle has a domed profile, a slightly flared cylindrical neck, and a low tooled foot. The decoration is divided into a series of bands. The band on the upper body includes three large medallions, each containing an eight-petaled green-and-red central star from which a complex scrolling pattern radiates outward to create a floral pattern; the outlines are in red, the background is blue and gold, and there are eight alternating pointed elements in red and white
Here is a link to download the audio instead.

This crucifix was made to be carried in processions and is painted on both sides. Before entering the Kress collection (Shapley 1966) the two sides were separated, but they were re-united in the Museum in 1988
collection/search/437020 https://www.metmuseum.org/art/collection/search/437020 Link

The Concourse of the BirdsThe manuscript from which this painting comes was produced in 1483 at the Timurid court of Sultan Husayn Baycara at Herat. It contains four illustrations that may or may not be by the hand of Bihzad, the most famous artist of that era, but represent his innovative, perfectionist style
collection/search/451725 https://www.metmuseum.org/art/collection/search/451725 Link

Inscription: (On scroll): . Ave . / . gracia . / . ple / na . (Hail [Mary] full of grace)Marking: Arms [on shield held by two angels, center top]: Vilanova of Castile, Catalonia, etc
collection/search/468106 https://www.metmuseum.org/art/collection/search/468106 Link

collection/search/324108 https://www.metmuseum.org/art/collection/search/324108 Link