Thunder Elk – Frame Drum – Native American (Sioux) – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/502895
collection/search/502895 https://www.metmuseum.org/art/collection/search/502895 Link
collection/search/502895 https://www.metmuseum.org/art/collection/search/502895 Link
collection/search/159230 https://www.metmuseum.org/art/collection/search/159230 Link
Inscription: At upper right, inscribed and dated ‚155., d. 2n Decembr. 1826.|Rom‘ in pen and brown ink (by the artist). Verso: at lower center, inscribed ‚Martyrium d. 7 brüder mit ihrem Mutter‘ in graphite (19th- or 20th-century handwriting); lower right, inscribed ‚185‘ in graphite (19th- or 20th-century handwriting)
collection/search/382501 https://www.metmuseum.org/art/collection/search/382501 Link
collection/search/470336 https://www.metmuseum.org/art/collection/search/470336 Link
Here is a link to download the audio instead. Playlist 1021.
From the north nave of the former Carmelite church at Boppard-am-Rhein in Rheinland-Pfalz (Rhein-Hunsrück-Kreis), near Koblenz, Germany.; Count Hermann Pückler, Muskau (from 1818) ; [ Frédéric Spitzer Austrian, Paris (from at least 1875–sold 1893)] ; his posthumous sale, Chevallier & Mannheim, Paris (April 17–June 16, 1893, no
collection/search/474426 https://www.metmuseum.org/art/collection/search/474426 Link
Fragmentary PlateThis shallow plate has a plain rim with a rounded edge. The wall curves down and in, with a depression ( diam. 4 cm [1 5/8 in.]) at the center of the floor. Most of the floor is missing; similar plates have either a plain base or three applied feet (see, for example, Smith 1957, no
collection/search/449824 https://www.metmuseum.org/art/collection/search/449824 Link
Here is a link to download the audio instead. Playlist 45.
Gold NecklaceThe striking way in which this piece, with its circular stone-set gold elements surrounded by small pearls, is stylistically reminiscent of the miniature of the zenana (harem) scene in the Met (30
collection/search/446767 https://www.metmuseum.org/art/collection/search/446767 Link
When it came to depicting Jesus on the Cross, many artists of the earlier Middle Ages portrayed Jesus as alive and alert, his body entirely resistant to the trauma of crucifixion. In this example, Jesus almost bears himself easily, with his torso erect, knees slightly bent, and head held high
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