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From the former Lady Chapel of the Benedictine abbey of Saint-Germain-des-Prés, Paris; [possibly Jacques Seligmann, Paris and New York] ; Private Collection, Paris (until 1958) ; [ Brimo de Laroussilhe, Paris (1958–sold 1972)] ; [ Galerie für Glasmalerei, Zurich (1972–sold 1973)]
collection/search/471988 https://www.metmuseum.org/art/collection/search/471988 Link

From the former Lady Chapel of the Benedictine abbey of Saint-Germain-des-Prés, Paris (closed February 1792; panels possibly removed by November 25, 1796; chapel destroyed 1802); [possibly Jacques Seligmann, Paris and New York] ; Private Collection, Paris (until 1958) ; [ Brimo de Laroussilhe, Paris (1958–sold 1972)] ; [ Galerie für Glasmalerei, Zurich (1972–sold 1973)]
collection/search/471987 https://www.metmuseum.org/art/collection/search/471987 Link

From a room above the chapter house of the Monastery of San Pedro de Arlanza, near Hortigüela, Burgos, Spain (sold by the government in the nineteenth century); Private Collection ; [ Sr. Colominas, Barcelona (sold 1931)]
Here is a link to download the audio instead. Playlist 11.

the high altar of the church of San Domenico, Modena (until about 1708–10); John Edward Taylor, London (until d. 1905); his widow, Mrs. John E. Taylor, London (1905–12; her sale, Christie’s, London, July 5 and 8, 1912, no
collection/search/435616 https://www.metmuseum.org/art/collection/search/435616 Link

collection/search/498962 https://www.metmuseum.org/art/collection/search/498962 Link

2005.57a Diameter of smaller head: 5 1/16 in. (12.9 cm)2005.57b Diameter of smaller
collection/search/503764 https://www.metmuseum.org/art/collection/search/503764 Link

Here is a link to download the audio instead. Playlist 23.

This group of five ivory panels are the reassembled elements of a „composite casket,“ so called by scholars because the narrative scenes that adorn them are vignettes from a variety of popular stories and chivalric romances
Here is a link to download the audio instead.

collection/search/551163 https://www.metmuseum.org/art/collection/search/551163 Link

Until 1924, collection of Alexandre Merle de Massonneau, who acquired material from the Caucasus area of south Russia and Crimea in the late nineteenth and early twentieth centuries (Leskov 2008, p. 1); acquired by the Museum in 1924, purchased from the Massonneau collection in Paris by John Marshall, The Metropolitan Museum of Art’s agent in Europe
collection/search/328970 https://www.metmuseum.org/art/collection/search/328970 Link