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Inscription: (central medallion (A), front, on scroll of Moses, center): SIC . ERIT . VITA . TVA . PENDENS / . ANE . N . CREDES . VITE . TVE (Thus your life will hang in the balance before [you], you will not be sure of your life [Deuteronomy 28:66])(central medallion (A), front, on upper left scroll): SICVT
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the artist’s brother, Theo van Gogh, Paris (1889–d. 1891; sent to him by the artist on September 28, 1889); his widow, Johanna van Gogh-Bonger, Amsterdam, in trust for their son, Vincent Willem van Gogh (1891–95; consigned by June 1895 to Lucien Moline (Galerie Laffitte), Paris; sold with six other paintings for fl
collection/search/437980 https://www.metmuseum.org/art/collection/search/437980 Link
The Crusaders then took over many of the cities on the Mediterranean coast and built a large number of fortified castles all over the Holy Land to protect their new territories.
New York: The Metropolitan Museum of Art, 2000–. http://www.metmuseum.org/toah/hd
Reception Room (Qa’a)This interior, a splendid example of a wood-paneled reception chamber (qa‘a) from a private house in Damascus, is among the earliest extant, nearly complete interiors of its kind, dated by an inscription to A
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The Picture: A vase of flowers stands on a stone socle, its contents spilling forth from the surrounding alcove. Visible on the heavily shadowed vase, perhaps made of terracotta or gilt bronze, are the plump figure of a reclining putto, vegetable ornamentation, and a grotesque face
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Taking inspiration from the unruly aspects of the natural world, Art Nouveau influenced art and architecture especially in the applied arts, graphic work, and illustration.
New York: The Metropolitan Museum of Art, 2000–. http://www.metmuseum.org/toah/hd
Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth century, prior to the establishment of soft-paste porcelain factories.
New York: The Metropolitan Museum of Art, 2000–. http://www.metmuseum.org/toah/hd
From its origins as the basic garb of the Highlander, Scotsmen and non-Scotsmen alike have embraced [the kilt] as uniform, formal and semi-formal wear, and casual everyday wear.
New York: The Metropolitan Museum of Art, 2000–. http://www.metmuseum.org/toah/
David worked in a progressive, even enterprising, mode, casting off his late medieval heritage and proceeding with a certain purity of vision in an age of transition.
New York: The Metropolitan Museum of Art, 2000–. http://www.metmuseum.org/toah/hd
This magnificent painting by the leading painter of King Louis XIV (1638–1715)—the artist who supervised the decoration of the Louvre and Versailles and headed the Gobelins manufactory for tapestries and furniture—is a landmark in the history of French portraiture
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