Chiriquà artist(s) – Warrior – ChiriquÃ, Aguas Buenas Phase – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/312642
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Inscription: In plate: butterfly monogramIn graphite on reserved tab: butterfly monogram and „imp“Marking: John Pomeroy Townsend 1832-1898, New York, blue stamp verso, not in Lugt
collection/search/364212 https://www.metmuseum.org/art/collection/search/364212 Link
collection/search/286683 https://www.metmuseum.org/art/collection/search/286683 Link
São Paulo, 1869–Rio de Janeiro, 1943
remained committed to advancing his vision of Brazilian modernity and was an important link
Sir Giles Capel, Rayne Hall, Essex, England (until d. 1556; bequeathed to All Saints Chapel); All Saints Chapel, Rayne Hall, Essex, England (1556–1840; removed by Parmenter); William Parmenter, Bocking, Essex, England (1840–about 1866; sold for 10 s, to Courtauld); Edith Courtauld (later Arendrup), London, England (about 1866–80; gift to de Cosson); Baron Charles Alexander de Cosson, London (1880–93; sold on April 17, 1893, for Fr
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The art of Iran in the nineteenth century must be understood as comprising two divergent yet intertwined trends, a push for modernity and a continuation of indigenous traditions.
accessible sites such as Taq-i Bustan and Rayy and were thus meant to publicly link
However, a crucial aspect of Rembrandt’s development was his intense study of people, objects, and their surroundings “from life.”
Italy, like Lastman, the Utrecht painter Gerrit van Honthorst (Rembrandt’s main link
collection/search/321295 https://www.metmuseum.org/art/collection/search/321295 Link
collection/search/310769 https://www.metmuseum.org/art/collection/search/310769 Link
After independence, artists in Iraq, Jordan, and Syria experimented with a variety of techniques and styles irrespective of the current international trends.
were members of an all-Iraqi faculty at the Institute of Fine Arts and the only link