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Majesty Exhibition Blog, The Metropolitan Museum of Art (blog), October 30, 2015. http
collection/search/318318 https://www.metmuseum.org/art/collection/search/318318 Link
Reception Room (Qa’a)This interior, a splendid example of a wood-paneled reception chamber (qa‘a) from a private house in Damascus, is among the earliest extant, nearly complete interiors of its kind, dated by an inscription to A
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The Painting: In his mid-fifties and at the height of his career, Paul Cézanne began a series of paintings, drawings, and watercolors of card players. The unprecedented repetition of the theme of card players and the monumental scale at which he chose to work in two of the later canvases demonstrate the significance of the project for him
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Watteau, the son of a roofer, left Valenciennes for Paris about 1702 to work there as a copyist and assistant to Claude Gillot (1673–1722) and Claude III Audrun (1658–1734). He became interested in theater and fell under the spell of Peter Paul Rubens (1577–1640)
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successors of the Medes, the Persians, whose king Cyrus captured Sardis in 546 B.C
New York: The Metropolitan Museum of Art, 2000–. http://www.metmuseum.org/toah/hd
David worked in a progressive, even enterprising, mode, casting off his late medieval heritage and proceeding with a certain purity of vision in an age of transition.
These provided David with a stock of material for his paintings ( 2008.368a,b).
The Picture: A vase of flowers stands on a stone socle, its contents spilling forth from the surrounding alcove. Visible on the heavily shadowed vase, perhaps made of terracotta or gilt bronze, are the plump figure of a reclining putto, vegetable ornamentation, and a grotesque face
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collection/search/437984 https://www.metmuseum.org/art/collection/search/437984 Link
The art of the third millennium B.C. reflects not only the extraordinary developments
New York: The Metropolitan Museum of Art, 2000–. http://www.metmuseum.org/toah/hd
