Inca artist(s) – Miniature camelid effigy – Inca – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/309960
attachment of a textile blanket adorned with gold appliqué and cinnabar (AMNH B/
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Beaker with Relief-cut Decoration – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/452522
Cup (no. 65.172.1) and Beaker (no. 1974.45)Inevitably, the immediate models used by Iranian glassmakers following the advent of Islam came from their Sasanian heritage, which in turn had developed from a centuries-long distinctive and individual artistic tradition in the geographical area of Greater Iran
collection/search/452522 https://www.metmuseum.org/art/collection/search/452522 Link
French Faience – The Metropolitan Museum of Art https://www.metmuseum.org/essays/french-faience
Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth century, prior to the establishment of soft-paste porcelain factories.
painting compositions can be seen in an elaborate potpourri with a cover ( 50.211.82a,b)
Maxime Du Camp – Propylon du Temple de Dandour (Tropique du Cancer) – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/287194
Inscription: Inscribed in ink on mount, recto BL: Nubie.“; inscribed in ink on mount, recto BC: „Propylon du Temple de Dandour. (Tropique du Cancer)“; inscribed in ink on mount, recto BR: „No
collection/search/287194 https://www.metmuseum.org/art/collection/search/287194 Link
Adélaïde Labille-Guiard – Self-Portrait with Two Pupils, Marie Gabrielle Capet (1761–1818) and Marie Marguerite Carraux de Rosemond (1765–1788) – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/436840
Studying first with François Élie Vincent (1708–1790), a miniaturist whose Paris studio was in the same street as her father’s shop, Adélaïde Labille embarked upon her career before she was twenty
Here is a link to download the audio instead. Playlist 5019.
Tunic with Confronting Catfish – Nasca-Wari – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/307975
collection/search/307975 https://www.metmuseum.org/art/collection/search/307975 Link
Maxime Du Camp – Vue du pronaos du Temple de Dandour (Tropique du Cancer) – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/287195
Inscription: Inscribed in pencil on mount, recto TRC: „93“; inscribed in ink on mount, recto BL: Nubie.“; inscribed in ink on mount, recto BC: „Vue du pronaos du Temple de Dandour. (Tropique du Cancer)“; inscribed in ink on mount, recto BR: „No
collection/search/287195 https://www.metmuseum.org/art/collection/search/287195 Link
Chiriquà artist(s) – Warrior – ChiriquÃ, Aguas Buenas Phase – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/312642
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Simone Martini – Madonna and Child – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/459136
The Artist: The Sienese master Simone Martini was one of the greatest and most influential painters of his time. His work combines an astonishing mastery of naturalistically observed details with an exquisite technique
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The Cloisters Cross – British – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/470305
Inscription: (central medallion (A), front, on scroll of Moses, center): SIC . ERIT . VITA . TVA . PENDENS / . ANE . N . CREDES . VITE . TVE (Thus your life will hang in the balance before [you], you will not be sure of your life [Deuteronomy 28:66])(central medallion (A), front, on upper left scroll): SICVT
Here is a link to download the audio instead. Playlist 54.