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Inca artist(s) – Miniature camelid effigy – Inca – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/309960
Last modified August 24, 2004, http://argentina.indymedia.org/news/2004/08/218027
Maxime Du Camp – Vue du pronaos du Temple de Dandour (Tropique du Cancer) – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/287195
Inscription: Inscribed in pencil on mount, recto TRC: „93“; inscribed in ink on mount, recto BL: Nubie.“; inscribed in ink on mount, recto BC: „Vue du pronaos du Temple de Dandour. (Tropique du Cancer)“; inscribed in ink on mount, recto BR: „No
collection/search/287195 https://www.metmuseum.org/art/collection/search/287195 Link
Paulo Prado – The Metropolitan Museum of Art https://www.metmuseum.org/research-centers/leonard-a-lauder-research-center/research-resources/modern-art-index-project/prado
São Paulo, 1869–Rio de Janeiro, 1943
remained committed to advancing his vision of Brazilian modernity and was an important link
Maxime Du Camp – Égypte, Nubie, Syrie: Paysages et Monuments – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/286683
collection/search/286683 https://www.metmuseum.org/art/collection/search/286683 Link
Mystery Cults in the Greek and Roman World – The Metropolitan Museum of Art https://www.metmuseum.org/essays/mystery-cults-in-the-greek-and-roman-world
A pendant to the official cults of the Greeks and Romans, mystery cults served more personal, individualistic attitudes toward death and the afterlife.
308 ca. 340–330 BCE Wall painting from the west wall of Room L of the Villa of P.
Art of the First Cities | The Metropolitan Museum of Art https://www.metmuseum.org/exhibitions/listings/2003/art-of-the-first-cities
Art of the First Cities surveys the evolution of art and culture in the land between the rivers Tigris and Euphrates and their impact on the emerging cities of the ancient world—from the Aegean and Eastern Mediterranean across Central Asia and along the Gulf to the Indus Valley—during one of the most seminal and creative periods in history.
Postgate 1992, p. 3. Hallo and Simpson 1971, pp. 28–29.
Making the Invisible Visible | The Metropolitan Museum of Art https://www.metmuseum.org/exhibitions/listings/2013/invisible-visible
conservation, Islamic
Presented by Anke Scharrahs http://vimeo.com/47620230 The Syria-Lebanon Room at