Tutsi artist – Insika (screen) – Tutsi peoples – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/320636
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How Medieval and Renaissance Tapestries Were Made – The Metropolitan Museum of Art https://www.metmuseum.org/essays/how-medieval-and-renaissance-tapestries-were-made
In European medieval and Renaissance practice, the design was invariably copied from a full-scale colored pattern, known as the cartoon, a practice that continues to this day.
the juxtaposition of different materials, and the use of different techniques to link
Workshop of Biduinus – Portal from the Church of San Leonardo al Frigido – Italian – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/471911
The reconstructed portal is composed of five medieval elements. Neither the bases nor the arch of rosettes were part of the medieval monument. The two jambs of gray Carrara marble were apparently recarved from sections of antique sarcophagi
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Beaker with Relief-cut Decoration – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/452522
Cup (no. 65.172.1) and Beaker (no. 1974.45)Inevitably, the immediate models used by Iranian glassmakers following the advent of Islam came from their Sasanian heritage, which in turn had developed from a centuries-long distinctive and individual artistic tradition in the geographical area of Greater Iran
collection/search/452522 https://www.metmuseum.org/art/collection/search/452522 Link
The Cloisters Cross – British – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/470305
Inscription: (central medallion (A), front, on scroll of Moses, center): SIC . ERIT . VITA . TVA . PENDENS / . ANE . N . CREDES . VITE . TVE (Thus your life will hang in the balance before [you], you will not be sure of your life [Deuteronomy 28:66])(central medallion (A), front, on upper left scroll): SICVT
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Antoine Watteau – Mezzetin – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/437926
Watteau, the son of a roofer, left Valenciennes for Paris about 1702 to work there as a copyist and assistant to Claude Gillot (1673–1722) and Claude III Audrun (1658–1734). He became interested in theater and fell under the spell of Peter Paul Rubens (1577–1640)
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Camille Corot – Hagar in the Wilderness – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/435962
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Gustave Courbet – Young Ladies of the Village – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/438820
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Margareta Haverman – A Vase of Flowers – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/436634?exhibitionId=%7Bf09f2f10-eee2-4ecb-8e2a-c6c9669ba1b2%7D&%3Boid=436634&%3Bpkgids=512
The Picture: A vase of flowers stands on a stone socle, its contents spilling forth from the surrounding alcove. Visible on the heavily shadowed vase, perhaps made of terracotta or gilt bronze, are the plump figure of a reclining putto, vegetable ornamentation, and a grotesque face
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Tunic with Confronting Catfish – Nasca-Wari – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/307975
collection/search/307975 https://www.metmuseum.org/art/collection/search/307975 Link