Chiriquà artist(s) – Warrior – ChiriquÃ, Aguas Buenas Phase – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/312642
See especially cat. no. 103, p. 195.
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Paul C̩zanne РThe Card Players РThe Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/435868
The Painting: In his mid-fifties and at the height of his career, Paul Cézanne began a series of paintings, drawings, and watercolors of card players. The unprecedented repetition of the theme of card players and the monumental scale at which he chose to work in two of the later canvases demonstrate the significance of the project for him
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Drum (Teponaztli) – Mexica (Aztec) – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/312583
42; Castañeda and Mendoza, 1933, p. 16; Kurath and MartÃ, 1964, p. 47, 60, 84)
Simone Martini – Saint Ansanus – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/458953
The Artist: The Sienese master Simone Martini was one of the greatest and most influential painters of his time. His work combines an astonishing mastery of naturalistically observed details with an exquisite technique
For a reconstruction of the altarpiece, see http://www.metmuseum.org/collection/the-collection-online
Lidded Basket – Tutsi peoples – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/310768
collection/search/310768 https://www.metmuseum.org/art/collection/search/310768 Link
Tutsi artist – Panel – Tutsi peoples – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/320815
collection/search/320815 https://www.metmuseum.org/art/collection/search/320815 Link
Screen (Inyeqamo) – Tutsi peoples – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/319903
collection/search/319903 https://www.metmuseum.org/art/collection/search/319903 Link
Charles Le Brun – The Sacrifice of Polyxena – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/442761
The canvas is signed and dated 1647, a year after Charles Le Brun, the future premier peintre du roi under Louis XIV, returned to Paris from a period of study in Rome. In Paris, where he had been the pupil of François Perrier and spent time in the workshop of Simon Vouet, his work had caught the attention of Nicolas Poussin, who had returned to the French capital to work for the king in 1640
collection/search/442761 https://www.metmuseum.org/art/collection/search/442761 Link
Paul Cézanne – Madame Cézanne (Hortense Fiquet, 1850–1922) in a Red Dress – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/435876?exhibitionId=%7Beb68e3d6-245f-4c66-a7e8-870bb969c7c5%7D&oid=435876&ft=*&fe=1&locale=en
collection/search/435876 https://www.metmuseum.org/art/collection/search/435876 Link
Vincent van Gogh – Cypresses – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/437980
the artist’s brother, Theo van Gogh, Paris (1889–d. 1891; sent to him by the artist on September 28, 1889); his widow, Johanna van Gogh-Bonger, Amsterdam, in trust for their son, Vincent Willem van Gogh (1891–95; consigned by June 1895 to Lucien Moline (Galerie Laffitte), Paris; sold with six other paintings for fl
collection/search/437980 https://www.metmuseum.org/art/collection/search/437980 Link