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The reconstructed portal is composed of five medieval elements. Neither the bases nor the arch of rosettes were part of the medieval monument. The two jambs of gray Carrara marble were apparently recarved from sections of antique sarcophagi
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Studying first with François Élie Vincent (1708–1790), a miniaturist whose Paris studio was in the same street as her father’s shop, Adélaïde Labille embarked upon her career before she was twenty
Here is a link to download the audio instead. Playlist 5019.
collection/search/551322 https://www.metmuseum.org/art/collection/search/551322 Link
The Artist: The Sienese master Simone Martini was one of the greatest and most influential painters of his time. His work combines an astonishing mastery of naturalistically observed details with an exquisite technique
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China was reunited under the rule of the Han dynasty.
Antoninus) bringing ivory, rhinoceros horn, and tortoiseshell suggests a direct link
The Artist: The Sienese master Simone Martini was one of the greatest and most influential painters of his time. His work combines an astonishing mastery of naturalistically observed details with an exquisite technique
For a reconstruction of the altarpiece, see http://www.metmuseum.org/collection/the-collection-online
Here is a link to download the audio instead. Playlist 6144.
the artist’s brother, Theo van Gogh, Paris (1889–d. 1891; sent to him by the artist on September 28, 1889); his widow, Johanna van Gogh-Bonger, Amsterdam, in trust for their son, Vincent Willem van Gogh (1891–95; consigned by June 1895 to Lucien Moline (Galerie Laffitte), Paris; sold with six other paintings for fl
collection/search/437980 https://www.metmuseum.org/art/collection/search/437980 Link
Provenance Information: Purchased from Galaxie Art & Gift Company, Hong Kong, by Florence and Herbert Irving, New York, in 1991; Collection of Florence and Herbert Irving, New York from 1991 to 2015, on loan to The Metropolitan Museum of Art from 1997 until donation to The Metropolitan Museum of Art in 2015
collection/search/39698 https://www.metmuseum.org/art/collection/search/39698 Link
Drawn to universities and large cities, Franciscan and Dominican friars lived and preached among the people, supporting themselves by working and begging for food.
Morello, Giovanni, and Laurence B. Kanter, eds.
