Franz Kline – Black, White, and Gray – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/489060
collection/search/489060 https://www.metmuseum.org/art/collection/search/489060 Link
collection/search/489060 https://www.metmuseum.org/art/collection/search/489060 Link
collection/search/482314 https://www.metmuseum.org/art/collection/search/482314 Link
god Vishnu, Lord of the Waters, but the brass fittings on this shell indicate a link
The Sons of Hephaistos: Aspects of the Archaic Greek bronze Industry. p. 154, Roma
collection/search/255060 https://www.metmuseum.org/art/collection/search/255060 Link
Watteau, the son of a roofer, left Valenciennes for Paris about 1702 to work there as a copyist and assistant to Claude Gillot (1673–1722) and Claude III Audrun (1658–1734). He became interested in theater and fell under the spell of Peter Paul Rubens (1577–1640)
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1962, excavated under the direction of Max Mallowan, on behalf of the British School of Archaeology in Iraq; ceded in the division of finds to the British School of Archaeology in Iraq; acquired by the Museum in 1962, as a result of its financial contribution to the excavations
collection/search/325564 https://www.metmuseum.org/art/collection/search/325564 Link
collection/search/464300 https://www.metmuseum.org/art/collection/search/464300 Link
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collection/search/436072 https://www.metmuseum.org/art/collection/search/436072 Link
Margaret was the eldest child and favorite daughter of Sir Thomas More. She married William Roper (50.69.1) in 1521. She was born about October 1505, and the age assigned to her in the artist’s inscription indicates that this miniature was painted in 1535–36, shortly after her father’s execution
collection/search/436662 https://www.metmuseum.org/art/collection/search/436662 Link