Marble portrait of the emperor Caracalla – Roman – Severan – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/253592
collection/search/253592 https://www.metmuseum.org/art/collection/search/253592 Link
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Terracotta chariot krater – Helladic, Mycenaean – Late Helladic IIIA:1 – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/240552
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Spouted jar – Iran – Iron Age II, Hasanlu Period IV – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/325005
1959, excavated under the direction of Robert H. Dyson Jr. on behalf of the Hasanlu Project sponsored by the University Museum of the University of Pennsylvania, the Archaeological Service of Iran, and The Metropolitan Museum of Art; acquired by the Museum in 1960, as a result of its financial contribution to the excavations
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After a model by Severo Calzetta da Ravenna – David with the head of Goliath – Italian, Ravenna or Padua – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/203908
For the late production of Severo’s workshop, see Warren 2014, p. 140. 2.
Nikare as a scribe – Old Kingdom – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/543900?exhibitionId=%7B84492ae0-e217-43c5-85c0-e1eb45272036%7D&oid=543900&pkgids=77&pg=1&rpp=4&pos=2&ft=*&locale=en
collection/search/543900 https://www.metmuseum.org/art/collection/search/543900 Link
Samuel Joseph Brown, Jr. – Girl in Blue Dress – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/488102
collection/search/488102 https://www.metmuseum.org/art/collection/search/488102 Link
Michele Giambono (Michele Giovanni Bono) – The Man of Sorrows – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/436498
Although a virtual contemporary of Jacopo Bellini, Giambono represents the final flowering of Late Gothic painting in Venice. It was the combined presence in Venice of Michelino da Besozzo, Gentile da Fabriano, and Pisanello that provided the reference points for his refined style, with its combination of decorative richness and acute description of flora and fauna
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Gaston Lachaise – Georgia O’Keeffe – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/488566
collection/search/488566 https://www.metmuseum.org/art/collection/search/488566 Link
Gaspar de Crayer – The Meeting of Alexander the Great and Diogenes – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/436048
?prince Philippe François de Rubempré, Brussels (until 1766; sale, Brussels, April 11, 1765, no. 130, and—evidently the same picture—August 8, 1766, no. 36); ?duc d’Arenberg (until 1847; his sale, Brussels, October 4, 1847, no
collection/search/436048 https://www.metmuseum.org/art/collection/search/436048 Link
Tusk Fragment with the Ascension – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/453638
Two Tusk Fragments with the Ascension of Christ:17.190.46 and 17.190.48Conforming to the shape of the ivory tusks from which they were carved, these two fragmentary images of the Ascension are so similar that they must have been carved by the same workshop
collection/search/453638 https://www.metmuseum.org/art/collection/search/453638 Link