Glass cup – Roman – Early Imperial, Julio-Claudian – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/249469
collection/search/249469 https://www.metmuseum.org/art/collection/search/249469 Link
collection/search/249469 https://www.metmuseum.org/art/collection/search/249469 Link
collection/search/846749 https://www.metmuseum.org/art/collection/search/846749 Link
collection/search/485835 https://www.metmuseum.org/art/collection/search/485835 Link
collection/search/468178 https://www.metmuseum.org/art/collection/search/468178 Link
Inscription: Inscribed in image bottom center left: „Lucas Vorsterman sculp. et excud. Ao. 1621.“; five lines in Latin in lower margin bottom center: „Pietate Reverendo, Virtute spectabili, Eruditione Clarissimo
collection/search/362092 https://www.metmuseum.org/art/collection/search/362092 Link
collection/search/476328 https://www.metmuseum.org/art/collection/search/476328 Link
collection/search/452833 https://www.metmuseum.org/art/collection/search/452833 Link
collection/search/435601 https://www.metmuseum.org/art/collection/search/435601 Link
Each of Moretto’s rare portraits of the 1520s and 1530s demonstrates his innovative approach to the genre, culminating in the outstanding Portrait of a Man (National Gallery, London, NG 1025) of 1526, one the earliest full-length, life-size, independent portraits in Italy
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1960, excavated under the direction of Robert H. Dyson Jr. on behalf of the Hasanlu Project sponsored by the University Museum of the University of Pennsylvania, the Archaeological Service of Iran, and The Metropolitan Museum of Art; acquired by the Museum in 1961, as a result of its financial contribution to the excavations
collection/search/325144 https://www.metmuseum.org/art/collection/search/325144 Link