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collection/search/503846 https://www.metmuseum.org/art/collection/search/503846 Link

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Inscription: (in each corner and in center): A [image of a knot] E [reversed] (unidentified)(on scabbard hanging from man on left): AVE : / REGINA . C[AELORVM] (Hail the Queen of the Heavens [reference to one of the Marian antiphons]) (on dog’s collar, left): OFANGRE (too fragmentary for interpretation) (on dog’s collar, center): A [image of a knot] E [reversed] (unidentified)
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Ca. 1911, known and possibly purchased by Ernst Herzfeld, near Tell al-Deylam (ancient Dilbat); by 1914, collection of Frida and/or Georg Hahn, Berlin, who most probably acquired it from Ernst Herzfeld; 1939, left on deposit at the British Museum by the Hahn family; acquired by the Museum in 1947, purchased from Charlotte Weidler, New York, on behalf of Georg Hahn
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From the Passion of Christ window, choir of the castle chapel (the Schlosskapelle) at Ebreichsdorf, south of Vienna.; Lolowrat-Liebsteinsky, Ebreichsdorf (1843-73) ; Count Joseph Arco-Zinneberg, Ebreichsdorf (1873-1922) ; [ Duveen Brothers, London, Paris and New York] ; Mrs
collection/search/472160 https://www.metmuseum.org/art/collection/search/472160 Link

collection/search/322484 https://www.metmuseum.org/art/collection/search/322484 Link

Sir Giles Capel, Rayne Hall, Essex, England (until d. 1556; bequeathed to All Saints Chapel); All Saints Chapel, Rayne Hall, Essex, England (1556–1840; removed by Parmenter); William Parmenter, Bocking, Essex, England (1840–about 1866; sold for 10 s, to Courtauld); Edith Courtauld (later Arendrup), London, England (about 1866–80; gift to de Cosson); Baron Charles Alexander de Cosson, London (1880–93; sold on April 17, 1893, for Fr
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This painting, one of the key works of Ter Borch’s maturity, probably dates from about 1660–62. Though it was painted when the artist lived in Deventer, the luxurious interior and elegantly attired figures evoke the cosmopolitan milieu of Amsterdam
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Inscription: Signed and dated (lower right, in white paint): F. LÉGER / 17–18; signed and dated (verso, upper left, in black paint): F. LÉGER / 17–18; titled (upper left): LE TYPOGRAPHE [subsequently painted over with white paint and re-titled]: COMPOSITION
collection/search/500432 https://www.metmuseum.org/art/collection/search/500432 Link

Inscription: Signed and dated (verso, left, in black paint): Juan Gris / ceret 10-13 [now concealed by relining; visible in infrared transmitted light; signature reproduced on relining]
collection/search/500382 https://www.metmuseum.org/art/collection/search/500382 Link