Bowl Produced in northeastern Iran, in the province of Khurasan during the Samanid period, this large bowl with its high, flaring sides and bold, rhythmically spaced inscription in „new-style“ script exemplifies the elegance and perfect harmony of the „black-on-white wares“ unearthed in the cities of Nishapur and Samarqand
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Benedetta Cappa Marinetti, Rome (1950–56; sold in November 1956 to Winston); Lydia and Harry Lewis Winston, Birmingham, Mich. (1956–his d. 1966); Lydia Winston Malbin, Detroit and New York (1966–d
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collection/search/337246 https://www.metmuseum.org/art/collection/search/337246 Link
From the Passion of Christ window, choir of the castle chapel (the Schlosskapelle) at Ebreichsdorf, south of Vienna.; Lolowrat-Liebsteinsky, Ebreichsdorf (1843-73) ; Count Joseph Arco-Zinneberg, Ebreichsdorf (1873-1922) ; [ Duveen Brothers, London, Paris and New York] ; Mrs
collection/search/472159 https://www.metmuseum.org/art/collection/search/472159 Link
collection/search/435682 https://www.metmuseum.org/art/collection/search/435682 Link
collection/search/544479 https://www.metmuseum.org/art/collection/search/544479 Link
collection/search/638362 https://www.metmuseum.org/art/collection/search/638362 Link
collection/search/544216 https://www.metmuseum.org/art/collection/search/544216 Link
Although the French neo-classical artist Jean Auguste Dominique Ingres often confessed reluctance to paint portraits, his many splendid paintings of French aristocrats and powerful personalities ultimately glorified his persona, and assured his social ascendancy in the royal circles of Louis-Philippe d’Orléans (r
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collection/search/253427 https://www.metmuseum.org/art/collection/search/253427 Link
